“I was drawing upon things that I’ve learned and those are not necessarily intellectual things.” Dorian Devens and Philip-Lorca diCorcia, 2003 PLDC: I don’t consider myself to be an intellectual, you know, I think I’ve met enough intellectuals to know what a really smart person is… analytical I might be, but, you know, one […]
“I don’t apply labels to my photographs. I’d much rather have Max Kozloff do that. He’s much better at understanding and describing what I do.”
“We live in an era where artists constantly have to self censor. In my experience more often to pander to a disingenuous idea of political correctness than to conservatism.”
USA. Hampton, Virginia. 1962. © Bruce Davidson/Magnum Photos “Look, I’m kind of an explorer. I’m entering a world and it takes time.” A Magnum photographer, Bruce Davidson has been renowned since the late fifties for his photographs of gangs in Brooklyn, and subsequent projects including New York’s East 100th street, circus performers, civil rights marchers […]
“We are born with a scream; we come into life with a scream, and maybe love is a mosquito net between the fear of living and the fear of death.” Excerpts from Francis Bacon: I Painted to be Loved Interview by Francis Giacobetti conducted on February 1992, published in The Art Newspaper, no. 137, […]
“To make ‘documentary’ work (or to work in that genre at all) often stems from the desire (although it may not be fully conscious) to present a specific vision of the world as objective fact.” ASX asks artists a single question, Cameron Van Loos begins with Gregory Halpern, April 2013 Cameron Van Loos: […]
“I thought these new models were more generic and less identifiable and could make it seem like after the logo and copy were cropped out that the re-photographed image could be more my own.” An Interview with Richard Prince by Brian Appel, 2007 BRIAN APPEL: Hope you had a chance to read my review […]
“It was logical for me to get off doing still photography after becoming a success at it. I think it would just become a repeat—I would repeat myself.” An interview with Robert Frank, from one of ten symposiums at Wellesley College 1977 called “Photography within the Humanities”. Robert Frank: I’m just trying to, as they say, […]
Interview with Walker Evans Conducted by Paul Cummings in Connecticut, October 13, 1971 In New York City, December 23, 1971 PAUL CUMMINGS: It’s October 13, 1971 – Paul Cummings talking to Walker Evans at his home in Connecticut with all the beautiful trees and leaves around today. It’s gorgeous here. You were born in […]
Amarillo, Texas, August, 1973 “I think it was simply the time was right for color photography. It was about the same time that William Eggleston, Luigi Ghirri, and Joel Meyerowitz began to use color.” The Apparent Is the Bridge to the Real By Rong Jiang, ICP, New York, June 4, 2007 RJ: You said […]
An Exclusive Interview with Robert Frank, Robert Frank’s Studio, New York, July 22, 2007
Roadside stand near Birmingham, Alabama, 1936 “I didn’t like the label that I unconsciously earned of being a social protest artist.” “The Thing Itself is Such a Secret and so Unapproachable” George Eastman House, Image Magazine, Vol. 17., No.4, December, 1974, Originally Published in Yale Alumni Magazine, February, 1974. Walker Evans, the eminent American […]