“The presentation of politics has become pure entertainment; just another unhealthy consumable good and both candidates got chewed up and swallowed that night, which felt very appropriate and was more therapeutic than I would have imagined.”
Little Big Man Gallery – Los Angeles Video by Doug Rickard Original score by Greg Magnuson 2014-2015.
The vast majority of this material exists in a format without physicality. These ‘documents’ that the artist collects are in effect, de-materialised. They exist in a capacity of their non-physicality. It is an archival practice of collecting where the previous mode of acquisition is lost for that of an imagined meta-collection – a collection that, […]
Romance is inescapable; the L.A. river is maybe the most romantic strip of concrete in the world, the light in the window of a Todd Hido exterior is romantic, just the name “Dennis Hopper” is romantic; romance is inherent to the image. By Owen Campbell, ASX, July 2015 Both Sides of Sunset: Photographing Los Angeles […]
XZc7w, 2011 @ Doug Rickard Horrorcore, a sort of contemporary American gothic, with all the inherent inversion of values. INTERNET GOTHIC and Transcendentalism in the Age of Mechanical Reproduction By Owen Campbell, ASX, January 2015 In the preface of National Anthem Doug Rickard quotes Walt Whitman; in the coda he quotes Woodie Guthrie. […]
“To make ‘documentary’ work (or to work in that genre at all) often stems from the desire (although it may not be fully conscious) to present a specific vision of the world as objective fact.” ASX asks artists a single question, Cameron Van Loos begins with Gregory Halpern, April 2013 Cameron Van Loos: […]
Artist talk with Doug Rickard and Yale curator Joshua Chuang. The Photographic Universe II brings together a range of leading practitioners, scientists, theoreticians, historians, and philosophers to consider and reflect on current discussions in photography at a pivotal moment in its history. The unique format of the conference will consist of one-on-one conversations between two […]
Molly #03, 2008 58,5 x 43,7 cm LISE SARFATI French, born 1958 By Doug Rickard The room itself is quite an ordinary room. If you examine the details and remove the soft, young female from your mental focus you can feel the “oldness”. One can almost smell that scent that seems to permeate the very […]
By Doug Rickard Stretch marks and desert-devil-dust… Mexican-Men and Tequila-Worm-Lust… Jiggling breasts and White Men roars, sticky palms and sticky floors… Booze-boars and bottle-breath, broken-teeth smiles and flailing-fist-death… Curse and crawl, stumble and fall… warm wind blows through desert-window holes, pitiful views, coming in two’s… alcohol-slaves. Mad howls and nasty scowls, jukebox-caves, flesh-filled waves… […]
Walker Evans, pictures taken from a moving automobile or train. EXPLORE ALL WALKER EVANS ON ASX (© Walker Evans Archive, The Metropolitan Museum of Art.)
Doug Rickard: A New American Picture Presented in the Pier 24 Photography exhibition HERE. May 23rd – December 16th, 2011 Utilizing the comprehensive image archive Google Street View for his series A New American Picture, photographer Doug Rickard virtually drives the unseen and overlooked roads of America, to find bleak places that are forgotten, economically […]
Vista Del Mar, 1995 By Doug Rickard Palm trees, baking sunshine and the beckoning call of Vista Del Mar (1995). The Hollywood glitz is gone, the water has dried up and the baking cracks of a barren road call out to the viewer that hope and dreams are just a mirage. The blazing sun is […]