“There are downsides of course to these multiple identities. You can find yourself developing a bit of a split professional personality and it can make it difficult at times to know where to best direct your energies. Other people struggle with your split loyalties as well.”
What aspects of this collaboration, both Thompson’s and Reynolds’ are complicit in the same ideology and methodology of representation that perpetuates this distance between the photographic, its technological apparatus and its subject matter?
“Finally, a “Eureka Moment”- the image I “took” belongs to Martin Parr, the Godfather of Gaudy. I know this not because I have any of his books or any desire to devote much attention to his work, I know this because I have the Internet”
“His platform, his incessant toil and his ability to know every single photographer/artist or organization in the world has garnered much for the artists he works with.”