An Interview with Stephen Shore (2005)

“I remember thinking that it’s important to put cars in photographs because they are like time seeds. And I learned this from looking at Evans.”   By Noah Sheldon and Roger White Noah Sheldon: I heard a lecture once where you said that when you teach, you try to think about how you felt when […]

Stephen Shore: “Uncommon Places” (2004)

Stephen Shore. Merced River, Yosemite National Park, California, August 13, 1979 In 1982, a slender yet hugely impressive version of Uncommon Places was released. Its impact was felt almost immediately, forever changing the course of art photography, and securing Stephen Shore a place within the canon of photographic history.   By Aaron Schuman, originally published […]

Reinterpreting Unconventional Family Photographs: Returning to Richard Billingham’s ‘Ray’s a Laugh’ Series” (2007)

Billingham’s family series is often seen as a representation of poverty, even a “human catastrophe.” By Outi Remes, originally appeared in Afterimage, May-June, 2007 The British artist Richard Billingham photographed his family–his alcoholic father, large mother, and unruly brother–in their council flat in the West Midlands, England, between 1990 and 1996, producing the photo book Ray’s […]

WILLIAM EGGLESTON: “The Tender-Cruel Camera”

The choice of subject matter seemed to some critics to be totally indiscriminate, as though William Eggleston has applied no criteria at all.   William Eggleston: The Tender-Cruel Camera By Thomas Weski ‘I don’t particularly like what’s around me.’ I said that could be a good reason to take pictures. He said: ‘You know, that’s […]