An Interview with Fred Herzog – ‘In His Own Words’ (excerpts)

“I was aware I was taking art. That’s the conceit of young people. I knew that what I am doing is not only unique, but that someday I’m going to unpack that and shock people with it.”   Fred Herzog In His Own Words, from interviews with John Mackie of the Vancouver Sun in June, […]

LUIGI GHIRRI: “KODACHROME”

    Luigi Ghirri (1943 – 1992) was an Italian photographer who, beginning in the 1970s, produced pioneering color photographs of landscape and architecture within the context of conceptual art.   (All rights reserved. Images @ the Estate of Luigi Ghirri.)

Petite and Magical, Luigi Ghirri’s: ‘Kodachrome’

For Ghirri, the world was a labyrinth and making pictures was a means of “tell[ing] the real identity of man, of things, of life, from the image of man, of things of life.” By Vladimir Gintoff, ASX NYC, March 2013 In 1935 Eastman Kodak introduced Kodachrome. A film stock praised for its idiosyncratic, hyper-saturated, color-palette. […]

Matthias Bruggman’s “UNDERCOVER, THEATRE D’OPERATIONS” (2013)

His photographs do not look like those published in magazines and newspapers. They freely mix landscape, portraits, motion, violence, quiescence, and death, and their aim is not journalistic in the sense that they do not as a project tell a single story.   Paris Exhibition Review : Matthias Bruggman’s “Undercover, théâtre d’opérations” at Maison d’arts […]

william eggleston

William Eggleston – “Before Color” (2010)

  William Eggleston can’t actually separate himself from his “South”. The “South” is embedded into him so deeply that it has become something of a stamp or a mark.   By Doug Rickard William Eggleston is a “Southern” artist. Without a deeper explanation, this statement itself could mean a few things. If you look at […]

Joel Sternfeld – ‘American Prospects’ (2012)

It is about a country convinced of its independence and freedom, but that when photographed appears chained to a set of principles and dreams powerfully manifested in its architecture and in the lives its people have chosen to lead.   The Dreams of Some By Paul Loomis, December, 2012 It is written in the Torah […]

Eggleston’s World (1999)

“I think of them as parts of a novel I’m doing.”   By Walter Hopps, essay from The Hasselblad Award, 1998 These were the first words William Eggleston uttered when I asked what he felt he was accomplishing with his photographs. Another fine photographer from the South, William Christenberry, had brought Eggleston to meet me […]

An Interview with Stephen Shore (2005)

“I remember thinking that it’s important to put cars in photographs because they are like time seeds. And I learned this from looking at Evans.”   By Noah Sheldon and Roger White Noah Sheldon: I heard a lecture once where you said that when you teach, you try to think about how you felt when […]

ASX.TV: Joel Meyerowitz – “Street Photography” (1981)

Joel Meyerowitz (born March 6, 1938) is a street photographer and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art.