Anush Hamzehian & Vittorio Mortarotti: Most Were Silent

“It is to accept that an image, though agreed as unable to achieve absolute status has many interpretive layers and one of these is the age of the viewer and his or her relation to the subject matter within the frame(s) conditioned by history, time and nostalgia…”

Mark Power: Good Morning, America

“The achievement of Donald Trump, for every ugly thing he musters to his lips, for every repellent speech and every obnoxiously hypocritical move he makes is entirely endemic of the American century and its reflection in decline”.

Aaron Schuman: Slant Interview

“Reading through them, I realised that the best ones seemed to create a kind of mental-image in my mind’s eye – which due to the tone of the text often took the form of a very deadpan, monotone, and even monochrome photograph of a little scene in small-town America; I was imagining a very straightforward picture made by Walker Evans or Lee Friedlander or Diane Arbus or others, of four dogs sitting on top of a car, or a guy standing next to a tree in the middle of the afternoon with bloody knuckles…”

Ingvar Kenne: The Ball Interview

“A friend familiar with what I do suggested I have a look at Bachelor & Spinsters Balls – rural gatherings originally designed to overcome distance and loneliness in the bush.”

Camille Vivier: The Twist of Mythical Fantasy

“Hamilton was deeply problematic on many levels and I reference him mostly because of the blur and grain of his pre-pubescent models. That suicide was his final intervention is no large surprise. The debate on his work was over before it started”.

Ute and Werner Mahler: Kleinstadt Keep and Kin

“Main street includes, if followed at length, an exit to a highway or the autobahn. The community center and church are the gathering points in which social conditioning and inclusion or exclusion become modes of continuity for the community”.

Alec Soth: A Furious Honesty

“I know How Furiously Your Heart is Beating is not Alec Soth’s most important body of work and perhaps for no reason other than the glory of the new will my words be seen as critically negative”.

Wouter Van de Voorde: “Mad Units, Monoliths and Myspace Mythologies” Interview

“At some point during that time I was painting inside an abandoned factory and I came across the body of a guy who hung himself. I remember my teacher in painting saying that I should have made a painting of the dude hanging. This teacher later suicided as well. I had several friends kill themselves during that period, maybe a Belgian thing?”