Gordon Parks: The Atmosphere of Crime, 1957/2020

  “It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…”   It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]

Thomas Sauvin: In Opposition, The Mirror Lies

  We confuse ourselves with our recognition of our portrait in a mirror. The hand that brushes away the hairs from the forehead, the sweet sticky perspiration that pins the lock to the crown is read in reverse and yet, this reversal is apathetic to the self that it stares back at. The eyes glare […]

Helga Paris: Leipzig Hauptbanhof 1981/82

“I exhibit a strange tendency in airports to curse, eyeball other people with malice and regard the general process of shuttling and hefting my mass through antiseptic tunnels and bizarre space age flat Jetson walklavators with contempt…”   A commonality between train stations and photography is the architecture of waiting. Waiting can be read in […]

Dieter Keller: Das Auge Des Krieges

“Othering of the loser of a war is important for collective consciousness and acts as a bulwark against the tide of human sympathy in the matters of inhumane consequence”   There are a number of different ways to approach writing about photography and World War II and to be clear, none of them should consider […]

Emilie Lauriola Le Bal, Paris: Support Photobook Shops #5

“This is before the Internet and I was living in an isolated place, so access to ‘culture’ was quite limited but I fortunately did have the photography magazines my parents were buying as well as the radio shows I would try to tune into from the countryside to copy the music on tapes…”   BF: […]

John Divola: Chroma and Spectrum Opposition

“Animals by evolutionary prowess and survival mode are given differing powers of sight. Humans with the benefit of great vision are still limited to a fairly diffuse understanding of the wider spectrum. Such is the case of our art as well”   On the face of it, color or chromatic evaluation of form is spectrum […]

Daisuke Morishita:A Raking Trilogy of Indexical Shadows

  “Many photographers will know that moment when they cross the path of the sun beaming down from a fifth story window-some will not even see it, they will feel the change of luminescence on their cheek, their hair will feel warmer as they pace”     The is a debilitating moment for many photographers […]

Kominek Books: Support Photography Book Shops #4

“I had a calming moment and I started to nurture my love for cinema. So I guess for me to play the long game was to end up making cinema, starting by photography, then making music and so on. Cinema is the unification of all arts”     BF: Michael Kominek-artist, publisher, gallerist, book seller-what […]

Bildband Berlin: Support Photography Bookshops #3

  “I’d been playing drums in a few bands, Th’ Faith Healers and Stereolab among others, and between tours and photo jobs I’d take off on photo projects of my own, often to Berlin. Eventually I got a place in Berlin, because I realised it had a lot of what London was losing, it’s a […]

Maria Lax: The Phenomenon of Fire, Regardless Its Truth

“In the case of phenomenon, we often commodify our intentions and collude over a recognized minority of experience based on the slight repetition of the materialization of unnatural form”   There is a common element that divides the paper-thin system of belief between what we consider phenomenon and what we consider truth. This is the […]

Land’s End: Trauma is a Strange Attractor

“We are on occasion reminded on occasion of a great plague pit, its underground presence rewarded with a blue plaque to signify its existence as both a terrible debacle in our local history and yet it tellingly reminds us of the foreboding possibility for futures yet unspoken”   Trauma is a strange attractor. Just as […]

Understanding Guido Guidi: In Veneto and Lunario

    “Perhaps it’s that what I think I know about photography is really a simple cancer in which I pretend to understand what it offers by the speed in which I believe its delivery system acts as a conduit for its understanding. Perhaps, I want things to slow down as I get older and […]