“We often expect high-end production values in contemporary photobooks, but not every publication can afford some of the eccentricities that we have become accustomed to. In this sense, Tempo reminds us that our material expectations shouldn’t dismiss publications that use humble materials, often produced outside the usual centers of culture and power.”
Let’s start at the end with the text that closes Providencia by the Chilean Alejandro Zambra. The author, who lives in Mexico City, felt the urge to visit his country after days of increasingly violent protests against the government due to economic inequality. The unrest eventually led to a curfew and the declaration of a state of […]
La Calle Abierta Como Un Sueño Hacia Cualquier Azar (The Street Open Like A Dream To Chance) documents the wanderings of Bolivian photographer Ignacio Prudencio throughout different areas of Lima. As a newcomer to the city, Prudencio purposefully got lost in the Peruvian capital to better understand it. The ensuing sequence is highly abstract, composed of unrelated images […]
I was convinced that before writing this that I would have a few examples of books about hunting in my mind when I began to type, but I am drawing a blank. I can think of a few things like Les Krims The Deerslayers, I can imagine or conjure up some images of hunting in […]
“I tell myself that I am a limitless being until I realize my left shoe is untied and I sit on the curb to attend to its misshapen spaghetti-form of inconsequential circumstance. What point these shoes”?