I think of Massimiliano Tommaso Rezza’s process as being a dislocated type of photographic practice. His work functions on the viewer being able to unlock parts of his cryptic use of images, but never all. One is asked to recognize inherent photographic themes and usages, but it is very difficult to place an exacting context […]
“The disappearance of discernible items that we consider part of the terrain from fire hydrants to road signs seem obliterated and marshmallowed under the soft, yet threatening canvas or blanket of ice that permeates each picture. Houses tend towards the gingerbread with too much icing and though it can be suggested that it is possible […]
“The trajectory of memory in its successes and failures and the distance from which these punctuating images within are dissolved is an important and very difficult tool to employ post-event.”
“I apologize that so many men were mentioned. You have to understand that the books of history are uncomfortably weighted towards testicles”