Bernhard Fuchs Hayloft

    There is a photograph by Frederick H. Evans from 1896, entitled “In the Attics,” in which the artist captures the improbably clean space of Kelmscott Manor, the home of Arts and Crafts movement pioneer William Morris. The photograph presents the attic as a type of raw liminal space, where the viewer can identify […]

Bernhard Fuchs Autos: A Forensic Realism, A Forensic Melancholy

The Full article can be found on Patreon   “The sadness that overwhelms us, the retardation that paralyzes us, are also a shield—sometimes the last one—against madness” ― Julia Kristeva, Black Sun: Depression and Melancholia   “On my bicycle tours, time and again, I saw passenger cars, buses, and trucks that just stood around. I […]

Regina Anzenberger Gstettn, Bread And Flowers

  I’m going to start this review in a slightly off way by suggesting that the subject matter, no matter how expertly handled in the beautifully produced self-published set of books proposed by Regina Anzenberger is not my cup of tea. This will be a failed review as I cannot find the words to speak […]

Seiichi Furuya & Christine Gössler Face To Face

  “We may consider these types of photographs as a glimpse, a grimace or a greeting between subject and viewer, nothing more”   It is hard to condense seven years of intimacy into the frames of 35mm negatives. You cannot easily graph the moments that pass between two orbiting worlds, the moments of affection, disagreements […]