atomic photography

Tomatsu Shomei <11:02> Nagasaki An Overview

Full Article on Patreon …11:02 Nagasaki contains elements of documentary practice mixed with an emotional and highly subjective style of photography. In essence, the book is caught, like Kawada’s Chizu, between two schools of thought regarding photography. On the one hand, there is a legacy of photography that considers politics and a (at […]

Anush Hamzehian & Vittorio Mortarotti: Most Were Silent

“It is to accept that an image, though agreed as unable to achieve absolute status has many interpretive layers and one of these is the age of the viewer and his or her relation to the subject matter within the frame(s) conditioned by history, time and nostalgia…”