Jonathan Meese is one of those artists compelled by an unseen, yet pernicious, towering force that many of us cannot recognize as anything else but a steam engine powered by Satan and maybe curry wurst, lager, and a cartoonish desire to paint the times as a disgraceful embodiment of human spirit, causality, scum, and victory. […]
There is a penchant, over the past ten to fifteen years or so, for photographic image-making to re-examine landscapes as scratchy abstractions, almost imperceptibly detailed beyond the reach of their granular vistas. This is most evident in the work of Korean/American artist Jungjin Lee, whose series of books and bodies of work detail the shift […]
And then there was the night—archives from the edge of hell—chimerical dissonance—six cloven hoof Satyrs. Bachanalian. Excremental. Grain, dissolve. Pushing the sword of Damocles in until the hilt fractures on the bone of the pubic mound. A horsehair away from piercing the veil. Scrutinize, Labotomize. Forever roam. Necessarily hexed, vexed, encouraged by nebulous worlds […]
Arguably, the notion of the fragmentary is what drives our collective interrogation of photography as a medium. Photography is an unmitigated discussion regarding what is seen, how it is represented, how it is interpreted, and how the values of the meaning of images circulate, morph, and resist concrete definitions. In this, photography could be considered […]
Without knowing much about architecture, what I find fascinating is that it is one of the forms of art that its artists can layer with the fantastical and still deliver a direct utility. Of course, most architects and architecture do not work toward abstraction; instead, they look at the medium as one for function […]
Full Article on Patreon “In thinking over the melange of the photobook, its audiences, and their perceived dismissal or avoidance of other mediums, every once in a while, a book lands on my desk that has, at its base, some considerations for other media. In the case of Belgian artist Lars Duchateau’s excellent […]
One can think of the urban environment in its various stages of building and tearing down as an interlocking mechanism similar to a pocket watch or Rubik’s cube. Each part of the city, its buildings, its billboards, and its many pieces interlock to provide traction for the cogs of the watch to continue its movements. […]