William Klein’s Tokyo Pop
William Klein was invited to Tokyo in 1961, where he shot for three months and made more than 1,000 pictures.
Tag Archives: Archive Highlights
In The Wake of Richard Prince and Instagram, Revisiting Copyright Law, Appropriation and History
Since Richard Prince first exhibited infringing appropriated photographs, reproduction technologies have thrown established conventions into disarray.
Flat, Dead, Boring Light – An Interview with John Myers (2015)
“The New Topographics has to some extent had the effect of ‘steamrollering’ people into believing that the American model was the progenitor of lots of current photographic approaches.”
Small Things in Silence, Bound in Blue: Yamamoto Masao
Yamamoto Masao had not only treated these prints with a range of teas, and chemicals—this I already knew—but also with tears from his own eyes.
Raymond Pettibon – The Art of Black Flag (1980s)
Pettibon’s drawings say: sure, I’ll suck dick for cigarettes.
Francis Bacon – Photographs, Painting, Destructive Criticism and More
“I’ve had photographs taken for portraits because I very much prefer working from the photographs than from them.”
Deutsche Börse 2015, what’s the point?
This is an exhibition that strives to be down with the Zeitgeist, digging the first album; this is an exhibition that, like, totally gets it.
Post-Human Crumbling Babylon: Regula Bochsler and Philipp Sarasin – ‘The Rendering Eye’
My eye continues to vector the punctuating structures here from where I have flown so close to the pattern of Icarus that I’m just waiting for my wings to melt. By Brad Feuerhelm, ASX, May 2015 My eye slips from its socket and shakes loose from its lodging in my skull. I grasp at […]
Auto-Erotic Post-Coital Bliss – Lotte Reimann ‘Jaunt’
The duo had created the membrane of their meeting based on the physicality of the auto and their drive to intertwine their bodies through their primary, yet graceless couplings via a chance meeting in an etherized world of electronic falsettos and cum-soaked chat rooms. By Brad Feuerhelm, ASX, May 2015 The sun stretched […]
Interrogating The Notion of Documentary Truth: Stacy Kranitz – ‘As it was give(n) to me’
Stacy Kranitz ’s long-form photographic project As it was give(n) to me is a work that interrogates notions of documentary truth.
Cameron Jamie, Necropharmacology, and the Razorblade in the Apple
Within the event of this testimonial, we have supervised a position of conducting, in negative harmonics, a passage between the afterworld of death and our ability to master control over its parts by maintaining formal contact with the sub-committee of horror. Candy apples and razor blades Little dead are soon in graves I remember […]
ASX.TV: Brad Feuerhelm in Conversation with Richard Misrach
“In 2009 I started noticing a major militarization of the US/Mexico border and since then I have been photographing the almost 2000 miles between the Gulf Of Mexico and the Pacific Ocean. Whatever the politics are about and they are very complicated… the migration… the tragedies… the humanitarian issues that these people go through to […]