Concrete, Plastic and Future Landscapes: Boris Loder’s Particles
“Loder’s constructions may appear simple, even whimsical, but they subvert conventional ideas of landscape in a really clever way.”
“Loder’s constructions may appear simple, even whimsical, but they subvert conventional ideas of landscape in a really clever way.”
“Yosemite and the like are places that are certainly worth preserving, but they do not reflect of our contemporary environment which is characterized by a compromised, struggling, and tenacious Nature – the nature of the Anthropocene. It is a nature that includes us.” I am always interested in how people come to making art. […]
“What interested me from the beginning was the theatrical dimension of all these events, the spectacle of destruction, the context where it took place, and the possibility of considering the explosion as an alienating element within the landscape.”
“I often ponder where all of these social media images are saved. I wonder if the social media magnates responsible for these sites of convenience have some sort of bunker somewhere, perhaps in a methane crater in Siberia where they store every image that has ever been posted”
“This symbology, this fervent fabric of decline is screened within the book, but it is subtle and perhaps that is why, it is doomed, like human behaviour and meaning, to the sidelines of a genetic and shared understanding of images. “
“He plays with the disruption in the aesthetic surfaces of our daily life and this allows him (and us) to experience a reality which might be bypassed.”