“This set of images playfully break advertising’s conceptual ethos and artifice and instead represent real-world, unorthodox behaviours.”
“The ability to disseminate information via photographic images, no matter their actual content, will to representation, or state of factual existence has provided us with what we are currently experiencing in contemporary times as media language and the post-truth image”.
@ The Estate of Karlheinz Weinberger “Youth culture disavowed the mainstream façade of marriage, home, family, and traditional ageing instead looking to music, fashion, drugs, and listless sex for inspiration. They concentrated on the open roaming way of life best exemplified in cinema with “Easy Rider…”” Karlheinz Weinberger’s photography has its roots in […]
“To me, everything is language. Language allows you to use a limited set of elements to build ever changing and endless worlds.” Bruno V. Roels’ work encompasses many layers of language, economy, history and repetition which hints a greater understanding of where photography becomes complicit in its indelible position as a conduit for fragmented meaning. […]
“The paintings are beautifully grotesque and at one with the human condition. The bubbling and fungal masses are crude stand-ins for our own nature of fucking, feasting and dying”
Moriyama admits that repetition is his way of working, and that his impulse to reproduce his surroundings today is much the same as it was when he got his first camera, in junior high.
Warhol by LaChapelle “They wrote about Basquiat when he was 25 that he was finished, his career was done, over, and at 27 he was dead. He didn’t know that that would pass. They told him that the paintings he and Andy did together were horrible. Now people make fortunes out of it, they never […]
“I have never thought of myself as a pop artist. However, when I was young there was a time when I was influenced by the methodologies and techniques of pop artists, such as Warhol.”
Sidney Janis, 1967 Silk-screening makes repetition part of the meaning of the image. Even one silk-screened print is felt as a repetition, and Warhol repeats these images until repetition is magnified into a theme of variance and invariance, and of the success and failures of identicalness. Prince of Boredom: The Repetitions and Passivities of Andy […]
“No it’s not!” I said, “I’m going to prove to you that it’s not. I can do this and it’s not pornography!”
I’ll Write Whenever I Can, Koobi Fora, Lake Rudolf, 1965 @ Peter Beard Andy described him as – “one of the most fascinating men in the world …… he’s like a modern Tarzan. He jumps in and out of the snake pit he keeps at his home. He cuts himself and paints with the blood. […]
History has been kind to Martin Kippenberger. Following his untimely death in 1997 at the age of 44, the art world scrambled to retrofit Kippenberger into the Postmodernist canon.