Martina Hoogland Ivanow is, in my opinion, one of the most talented people working in contemporary photography. Her photographs and books are unique. She works in a style that suggests cinema, through color grading and the suggestion of a narrative built from a series of independent film stills. There is a suggestion of motion […]
The legacy of intergenerational trauma is complicated to untangle. What we pass onto others and try to shield them from is often at odds with the need to unburden the experiences and traumas that have been suffered. It sags in our heart like a loose sock sliding down an ankle, a rock in the shoe, […]
What we do not talk about, dare to concern ourselves with, or pay much attention to are the men who fall through the cracks toward the end. We are happy to discuss the problems associated with masculine behaviour. Yet, we can’t imagine a discussion about men left wandering by their own devices or by […]
It is an interesting moment for the medium of the photobook. The boom dust is beginning to settle as inflation makes the market less navigable. The price of producing photobooks is ont he rise and coincides with a shrinking market size. This is based on a broader conversation with publishers and artists over the past […]
I am incredibly biased as I write this. I share a close connection with the artist Pieter Hugo through our Nearest Truth workshop programming. Although it might seem counterintuitive to the points I will raise subsequently, I have had a chance to hear Pieter talk about his work in detail, with all the challenging […]
Once in a while, I’ll encounter photographs that scratch or even scar me, embedding themselves into the same subconscious archive that catalogs and buries trauma. I can’t eliminate them; they resurface at the strangest times. Whenever my daughter’s bath water gets too cold, or I’m standing over a tub from a particular vantage point, a […]
Observational photography. Intrepid photography. Itinerant Photography. How does one deal with and parse out the general economy of images when abroad, away from home? What is home for a photographer who has moved from place to place over the 21st Century? There is an argument regarding the intrepid photographer, one that covers the ground, […]
Othering, debated through the discourse of reading the camera as a difference machine, seems at the crux of much of photography’s woes. Challenged by the notion that the machine is neutral in its observational and technical ability, the authorship and cultural means of producing images are undergoing a fruitful re-assessment of its terms to represent, […]
With Japanese photography, I have had to change how I look at it from the surface level toward something much more intricate in my understanding of how Japanese artists approach the camera. When I first started looking into the national camera of Japan, the obvious references were already a known quantity to me. Classic […]
I had not held a copy of Americans Seen until this new remastered edition, published by Nazraeli Press, landed on my doorstep a few weeks ago. I had previously come to Sage’s work through her book Animals, published in 2019 by British publishers Stanley/Barker. It was at that point that I became aware of Americans […]
How long should mourning last? Could you tell me the prescribed timeframe for a loved one’s passing to be followed by a resolution? The fallacy of the human condition regarding loss suggests that one can move on from a significant loss, when in reality, as the metric is difficult to ascertain, mourning, from my perspective […]
I feel slightly guilty posting this as I know by the time you read it, that it will be improbable you will find a copy as there are only 50 copies in the edition. Hopefully, it will inspire the publisher Photobook Daydream Editions to consider publishing more, as Fumitsugu Takedo’s Ambience Decay is one […]