“Laval creates a disturbing emotional wilderness, drawing us as viewers into his bush of ghosts with a sense that anything could happen—a couple doing it in the road, a threesome engaged on a mystic highway, a goddess as figurehead on the vehicle in the car chase. Voyeuristic, atavistic, altruistic”.
“I came to believe that there was something more meaningful going on––something stronger and more compelling, something that seemed almost woven into the fabric of the American psyche.”
(All rights reserved. @ the Estate of Slim Aarons.)
“In Butte, Montana, he photographed a slovenly, middle-aged woman in her car with a sullen child staring out of the window behind her. He showed a bench full of decrepit old people in St. Petersburg, Florida, staring at nothing in particular while a shiny new Pontiac whizzed by on the street behind them.” By […]
(All rights reserved. Images @ David LaChapelle)
This is absurd. I just searched the Web for the most dangerous city in the United States. By Jean-Christian Bourcart This is absurd. I just searched the Web for the most dangerous city in the United States. I wanted to rediscover that strange energy you feel in places where social rules and constraints have been weakened […]
Winogrand’s pictures are usually packed with astounding quantities of incident and “information,” a catchword popular among practitioners and students of street photography during the early ’70’s. By Pepe Karmel Photography critics raised on the classical elegances of Stieglitz and Cartier-Bresson still consider Garry Winogrand’s photographs haphazard snapshots, mach as 19th century academic critics saw the […]
“I lived with my black friends all those years,” said Holdt. “I saw the pain and the suffering and I felt, when I showed the pictures to people, they didn’t even know the suffering that was going on in the midst of their own cities.” By Ronald Netsky In the early 1970s, while vagabonding […]