“You felt perhaps as though you could finally move that leaden ass sack of yours through the last ten feet of ticker tape parade to come out the other side in a low-tar lifestyle and you did just that”.
“I went with Laura looking for gay go-go bars and assisting her to shoot in brothels and demolished hotels, I shot with Daisuke in backstreets at night (he was photographing with some weird infrared hunting device) while Hiroshi was using a document hand-scanner to capture surfaces and the intricacy of bed-sheets, lingerie and curtains, later on we found out he also scanned bodies. I spent the nights with Olivier wandering the dark corners of Chinatown.”
“Briney Breezes” is a distinct and somehow discomfiting collection of images between Charles Johnstone and the tireless Aaron McElroy.
Sunless is Tiane Doan Na Champassak’s most elevated work yet. The publication itself is beautifully printed and plays with chromophilic metaphor of color in the red, white, and blue of the artist’s French half-nationality.
@ Aaron McElroy The devil may indeed care, but there is a good chance he will simply stand idle at our emotional butchery while the moonlight plays delightful tricks along the contours of the young woman’s pubic thatch and each of her freckles is counted as a mirthful stone hurled…against an absent asbestos choked God. […]
By Brad Feuerhelm for ASX, March 2014 Aaron McEroy’s new book “I lied” is beautifully designed by Jurgen Maelfeyt for Art Paper Editions. It is a inspired continuation of McElroy’s supreme visions of poetic pantone flesh and subdued eroticism. Greatly enabled by a shift in focus towards new frontiers in metaphor due to the inclusion […]