Tag Archives: 4100 Duisburg

Laurenz Berges 4100 Duisburg

    In reading Darius Khondji’s interview with American Cinematographer Magazine from November 5th, 2018 regarding his cinematography work on various films, including David Fincher’s epic noir Se7en (1995), I am reminded of the significance that color balance plays when sculpting atmosphere in a film and also in a photographic body of work. In regarding […]

Andreas Gehrke’s Berlin

“Berlin’s character is not in its facade, but rather its margins”       Berlin’s legacy of the wall and the legacy of the war mark its facade and its imperial history like a pock-marked child whose scars were never allowed to heal due to the constant re-opening of their scabrous surface. Berlin is a […]