ANONYMOUS GULF WAR: ‘WELCOME IN IRAQ’
Found images from the Gulf War showing ‘How the West was Won’. Ride ’em cowboy.
Found images from the Gulf War showing ‘How the West was Won’. Ride ’em cowboy.
War is a huge, infernal industry, the largest one on this planet. It seems presumptuous for one man to attempt to stand in the way of this machinery. Once war has broken out, everything spirals out of control almost immediately, turning even the armies and the soldiers who fight in it into helpless onlookers, victims of their own […]
“Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs – it’s like they invade my dreams- I can’t get relief either awake or asleep.”
British Watchtowers @ 2007 Donovan Wylie and courtesy of Steidl The watchtower is not, typically, an offensive weapon. It’s an anticipatory instrument, a hedge against the inevitability of future conflict. By Eugenie Shinkle, ASX, July 2015 Built in the 1950s, the Distant Early Warning line, or DEW line, was a system of radar […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 5 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 3
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 2
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography.
“‘Glory’, the title of D’Alessandro’s 1973 book of photographs, is as understated and as charged as his pictures, each of which includes an American flag. Still timely more than three decades later, twenty-five of those pointedly black and white images remind us that, where the stars and stripes are concerned, ambivalence, irreverence and […]
“Tear-Gas Test at Richmond – A Family Out Shopping”, Keystone Press Agency. May 31, 1941. Silver gelatin print on glossy fibre paper, printed 1941. Courtesy Daniel Blau London/Munich. BLITZ: World War II in London, Daniel Blau Gallery, 31 May to 29 June 2013 By Elizabeth Breiner, for ASX, July 2013 Entering Daniel Blau Gallery’s succinctly titled Blitz: WWII in […]