British Watchtowers @ 2007 Donovan Wylie and courtesy of Steidl The watchtower is not, typically, an offensive weapon. It’s an anticipatory instrument, a hedge against the inevitability of future conflict. By Eugenie Shinkle, ASX, July 2015 Built in the 1950s, the Distant Early Warning line, or DEW line, was a system of radar […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 5 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 3
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 2
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography.
“‘Glory’, the title of D’Alessandro’s 1973 book of photographs, is as understated and as charged as his pictures, each of which includes an American flag. Still timely more than three decades later, twenty-five of those pointedly black and white images remind us that, where the stars and stripes are concerned, ambivalence, irreverence and […]
“Tear-Gas Test at Richmond – A Family Out Shopping”, Keystone Press Agency. May 31, 1941. Silver gelatin print on glossy fibre paper, printed 1941. Courtesy Daniel Blau London/Munich. BLITZ: World War II in London, Daniel Blau Gallery, 31 May to 29 June 2013 By Elizabeth Breiner, for ASX, July 2013 Entering Daniel Blau Gallery’s succinctly titled Blitz: WWII in […]
Artist and photographer Richard Mosse reveals the stories behind the making of his latest film, ‘The Enclave’ (2013), in the Democratic Republic of Congo, which will be shown in the Irish Pavilion at this year’s 55th Venice Biennale. Infra: Photographs by Richard Mosse By Adam Hochschild, Richard Mosse Aperture/Pulitzer Center on Crisis Reporting, […]
Vietnam War-era Zippo lighters featuring personalized and anonymous engravings chosen by U.S. soldiers, sailors, and airmen during deployment. The collection has been compiled individually by American artist Bradford Edwards over several years in the 1990s, on-site in Vietnam. (Images @ Cowan Auctions)
Chechnya, November, 1995 @ Stanley Greene “We have reached the point where we want to satisfy the bloodlust of the public to the point that we no longer have respect for them. That’s where we’re at.” Stanley Greene At Visa pour l ‘Image,2006. Interwieved by Laetitia Martinez , recorded by Cedric Batifoulier, transcripted by […]