Ursula Schulz-Dornburg: Yerevan 1996/1997

    “Armenia and Its role in the central Caucasus make its geography of special geo-political reference given its access point, along with Azerbaijan and Georgia to both the Caspian and Black seas and their lucrative conditions of speculative petrol potential”.   Yerevan, the Armenian capital is built from several considerations of the volcanic. In […]

Gaechter & Clahsen: Fünf Finger Föhn Frisur

“Images from French photographers in West Africa, Madagascar and also the Middle East, such as studies by Tancrede Dumas focused on hair as a way of defining difference”.   Of all bodily parts most associated with photography, and though I would like to think there are many, hair remains the bodily material most associated with […]

Guillaume Simoneau: Murder as Legacy

“Guillaume Simoneau is a not a cannibal, but his book Murder (MACK), is an ode to Fukase’s legendary status and particularly his book Karasu/Ravens. Murder is a devotional hymn, or a phantom limb added to the mythology of the Japanese artist”     Inherent or Mythological Propagandas   One of photography’s less considered functions is […]

Australian Murder Victims (1910-1960)

Excerpts from the forensic photography archive at the Justice & Police Museum in Sydney, Australia which contains an estimated 130,000 negatives created by the New South Wales Police between 1910 and 1960.

Federico Clavarino Interview: Hereafter, Escaping Nihilism

  Editor’s Note, This interview was conducted over the period of months. Federico and I would ping pong ideas back and forth. Being a busy artist, Clavarino had already moved into several different territories from my principal point of trying to tackle Hereafter, his great opus about power, family, archive and how history is activated […]

Dennis Stock: Once Upon A Time in California

“Photographs make up the vast majority of how we consider the narrative of California in the late 60’s and early 70’s and Dennis Stock’s California Trip exemplifies the condition for how we examine our historical memory and consciousness of the period”.

Berris Conolly: The Sheffield Photographs That I Hear in My Head

  “We propose that what “X” is to “Y” is how “Z” was accomplished. We lack the details of a true oversight and our compunction to rely on discourse written from outside observations can be careless”.   When we reflect on history or movements that occur between eras, it is often hard to perceive the […]

Geronimo, Sitting Bull and other Native American Cabinet Cards

First introduced in the 1860s, cabinet card photographs were similar to cartes-de-visite, only larger. Measuring approximately four inches by six inches and mounted on cardstock (similar to cardboard), cabinet card photos got their name from their size—they were just the right size to be displayed on a cabinet. Cabinet cards reached their peak of popularity […]

The Solomon D. Butcher Collection

  Solomon D. Butcher Photograph Collection The Solomon D. Butcher Collection comprises nearly 3,500 glass plate negatives crafted between 1886 and 1912. It was the photographer’s intention to record the process of homesteading, which he shrewdly recognized as a transient, yet important, epoch in the story of the American West. Between 1886 and 1891, Butcher […]