Dafna Talmor, László Moholy-Nagy & Josh Kern- The Photographic Notebook

  “For artists who do stage their work and find it in situ, the photographic sketchbook is virtually unnecessary as a pre-game facilitator. I would suggest though, that the photographic notebook is an indispensable tool after cheap prints have been made available”   One technical tool that photographers often deprive themselves of thinking through is […]

Mimi Plumb: Sheltering Under The White Sky

“I hear the sound of victory. I hear the sound of victory. I hear the sound of victory”. 1976, the centenary-a procrastinator’s wet dream”   The kids are smiling, their bodies are interlaced within the disused tire mound and the coyote snarls staring dead-eyed and hungry from the top of the bare picnic table. He […]

Chris Killip: The Station and a Note of Gratitude

  “Killip was a human first and an observer or lucid chronicler second”   Chris Killip is known for his immeasurable and singular vision of Britain during the 70’s 80’s and 90’s. To place emphasis on his work in a genre-fied manner would belittle his and its true humanity and potential. Killip was a human […]

Sybren Vanoverberghe’s 1099: A Violent Compression

“The world itself defines humanity by an unceasing and unrelenting violence”   Sybren Vanoverberghe‘s 1099: A Violent Compression Art Paper Editions. Text: Brad Feuerhelm The world itself defines humanity by an unceasing and unrelenting violence. This violence can be seen in the material record of geology, but also in historical ruin. The violence that oversees […]

Peter Mitchell: Early Sunday Morning, Signs & Reasons

  “I have assumed this focus on the found vernacular to be American in nature. However, the details of national ownership is missing apart from the rise of American modernism or the focus on its anti-thesis, namely quaint small town America advertising often hand painted and rough”   It is somehow impossible not to mention […]

Thoughts on Manuel Álvarez Bravo’s Color Work

  “Sunlight arms color photographs with daisies and when it refutes initiation, it instead lends pestilence to limbs that once lovingly embraced the nectar of its floral inhabitants”   Color is a very sensitive pursuit. It curries favor with no artist. It has an understanding about it that exceeds what appears outright as a seasonal […]

Piotr Zbierski: Echoes Shades The Ethnography of Shadows

“Are classifications necessary? What are there limits? Who can photograph who and what? “   I am always curious by what we consider the exotic in photographs. I often find myself thinking of the vestigial media forms of the past- all the inconsistencies, problematic discourses, and general selling of anything “other” in photographs, magazines and […]

Gordon Parks: The Atmosphere of Crime, 1957/2020

  “It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…”   It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]

Dieter Keller: Das Auge Des Krieges

“Othering of the loser of a war is important for collective consciousness and acts as a bulwark against the tide of human sympathy in the matters of inhumane consequence”   There are a number of different ways to approach writing about photography and World War II and to be clear, none of them should consider […]

Lewis Baltz on Ed van der Elsken, Edward Weston and Wright Morris (2009)

“One photographer that impressed me enormously – but it wasn’t my kind of thing at all; I didn’t really do it, but I thought it was brilliant. And also use of text. Both actually – both used text and image. It was Ed van der Elsken.”   Excerpt from a tape-recorded interview with Lewis Baltz […]