An Interview with Sergio Leone (1987)

From Once Upon a Time in the West   It is this unmitigated violence that marks and unites both Leone’s and Tarantino’s work. Though when asked by a Time critic why his films were so violent, Leone simply pointed to a double-page color spread of a young black man being gunned down by police and […]

ASX.TV Ryan Trecartin & Lizzie Fitch – “Any Ever” (2012)

RYAN TRECARTIN & LIZZIE FITCH, video and visual artists “ANY EVER” (2012, 12’30”) “Did I just Date myself? ‐ No, It was just Dinner.” François Michaud, the co-curator of the “Any Ever” exhibition at the Musée d’Art Moderne de la Ville de Paris, reveals to us the visual and mental world of Ryan Trecartin & […]

Jon Rafman – “You, The World and I” (2012)

When Orpheus’ beloved Eurydice dies, he cajoles his way into the underworld with his musical charms and his lyre. Wanting her but not her shade, he cannot forbear looking back to physically see her and so loses her forever. In this modern day Orphean tale, an anonymous narrator also desperately searches for a lost love. […]

Robert Frank – “Highway ’61 Revisited” (1987)

Robert Frank in ‘Home Improvements’ Interview with photographer Robert Frank, Film Comment, August 1987 By Marlaine Glicksman “I’d like to make a film which would mingle the private aspects of my life with my work, which is public by definition… how the two poles of this dichotomy join, interlace, are at variance , and fight […]

ASX.TV: Christian Marclay – “Telephones” (1995)

Christian Marclay’s “Telephones” (1995), a 7 1/2-minute compilation of brief Hollywood film clips that creates a narrative of its own. These linked-together snippets of scenes involve innumerable well-known actors such as Cary Grant, Tippi Hedren, Ray Milland, Humphrey Bogart and Meg Ryan, who dial, pick up the receiver, converse, react, say good-bye and hang up. […]

ASX.TV: Chris Burden – “Shoot” (1971)

Chris Burden’s conceptual performance from the early 1970s. Shot on Super-8, 16mm film, and half-inch video. Guided by the artist’s comments on both the works and the documentative process.