Sage Sohier Americans Seen

I had not held a copy of Americans Seen until this new remastered edition, published by Nazraeli Press, landed on my doorstep a few weeks ago. I had previously come to Sage’s work through her book Animals, published in 2019 by British publishers Stanley/Barker. It was at that point that I became aware of Americans […]

Carmen Winant The Last Safe Abortion

  Access to medical attention should be a right, no matter religious qualification or moralizing over another adult person’s decision. In the case of abortion, this is complicated by how we judge human sentience in the form of an unborn child. It is complicated. To say otherwise would be a misstep that does not account […]

TR Ericsson Nicotine

How long should mourning last? Could you tell me the prescribed timeframe for a loved one’s passing to be followed by a resolution? The fallacy of the human condition regarding loss suggests that one can move on from a significant loss, when in reality, as the metric is difficult to ascertain, mourning, from my perspective […]

Tatu Gustafsson I on the Road

    These photographs were taken by weather cameras in Finland every twelve minutes. From that point, the Finnish weather authorities/authorities who observed the weather uploaded the images online to be viewed for 24 hours before they disappeared. This presented an opportunity for Finnish artist Tatu Gustafsson to perform for the weather camera and document […]

Fumitsugu Takedo – Ambience Decay

  I feel slightly guilty posting this as I know by the time you read it, that it will be improbable you will find a copy as there are only 50 copies in the edition. Hopefully, it will inspire the publisher Photobook Daydream Editions to consider publishing more, as Fumitsugu Takedo’s Ambience Decay is one […]

Estelle Hanania – This Causes Consciousness to Fracture

It would be hard to hand this photobook to someone in a decontextualized state and expect them to understand the modalities of ecstasy and horror that permeate the frames. In the first seventy or eighty percent of the book, figures cavort and twist and are undetermined by a common goal. They are bodies of a […]

Muriel Verbist – Recovery

  Recovery – Muriel Verbist by Sofie Crabbé A woman is looking at us. She stares at us. We stare back. An act we can carry out rather casually, given that we’re observing photographic portraits. The format is reminiscent of identity card photos. We see a face, shoulders, and part of an upper body. A […]

Larry Clark – Return

This is a fascinating and unexpected title. I suspect that some people might consider it a repeat of images that circulate through Larry Clark’s opus Tulsa, and that is not a wrong way to feel about it, but what is important is how we see the periphery of images from that incredible body of work […]

Vince Aletti – The Drawer

I recently picked up a copy of Vince Aletti’s The Drawer from Self Publish Be Happy/MACK, a title released last year that won the 2023 Aperture Photobook award. At the time, I knew about the book. Still, I had not picked it up as I was unsure of what I could add to it, being […]

Jean-Michel André – Chambre 207

How does one begin to excavate memories that lie in the distressed trough of the murder of a loved one? When he was seven years old, Jean-Michel André was staying at a hotel with his father and his father’s new girlfriend in Avignon, France, when a robbery turned into a homicide with both his father […]

Rodrigo Valenzuela – New Works For a Post-Workers World

Rodrigo Valenzuela has been producing incredible work for the past couple of years. I was lucky enough to get a copy of his last book, Journeyman, published by Mousse Publishing. It was my introduction to the Chilean-American’s work, and from that point, we managed to have an extensive conversation about his work for Nearest Truth. […]

Lorenzo Castore – Fièvre

Fièvre by Lorenzo Castore is a slight wormhole of a photobook. One starts appreciating it through one side of the vacuum and comes out the other side, thinking through it differently. That is not to suggest that it is not consistent; it is. With Castore, I am accustomed to the romantic nature of his photographs. […]