Bryan Schutmaat is a photographer of the American West. His work is dedicated to sites along the interstate highway — forgotten mining towns, abandoned truck stops, weathered billboards, the garbage scattered across dirt roads. What he is attracted to is the region’s extremes: the harsh desert sun, its arid fields, trash heaps of tires, the […]
After Wall: The Wood Wide Web and AI Art By Ben Millar Cole In 1993, Jeff Wall meticulously reworked Hokusai’s famous 19th century woodblock print A Sudden Gust of Wind at Ejri as a large-scale photograph, spending more than a year in his local vicinity constructing scenes and orchestrating actors to produce a […]
Moises Saman is one of the most substantive and accomplished conflict photographers working today. A member of Magnum since 2014, he is best known for photographs he has been making for more than two decades working throughout the Middle East, during which time he covered the Iraq War and the Arab Spring. Many of the […]
War is good business for some, and misery for most everyone else. The executives of defense contractors such as Lockheed Martin or Raytheon, people who directly profit from the outbreak and continuation of war, are incentivized to hope for its continuation rather than its cessation, because where there is war (in Yemen, Ukraine, or in […]
My initial response to the massive swell of attention that cryptocurrency received in 2021, and more specifically to the non-fungible token (NFT) hysteria that gripped so much of cultural discourse online and in the press, was a dismissive roll of the eyes. Admittedly, what I was reacting to most were the claims that cryptocurrency was […]
The introduction of computers in the workplace well prefigures the advent of the internet. Before the release of the PC in the 80’s, computers were mostly vast, immovable machines which by today’s standards had relatively low processing power. Located in air-conditioned comms rooms, various forms of cabling sprawled out from them into patch cabinets resembling […]
In 1953, Robert Rauschenberg set out to create a work in which erasure/negation would define the principal production method. Instead of building a drawing or painting up from aggregated layers, the artist made a conscious conceptual decision to work backward from the point of completed artwork back to a form of trace in which the […]
In a moment where technology desires to exponentially double and triple its rate of occupancy in our fevered minds with its unlimited growth prospect, followed by its unmitigated potential to cause alarm instead of vague dreams of progress, from the militarism of our economies to the pursuit of transhuman desires of biological co-habitation to […]