Robert Frank’s America (1982)

The feeling among them was unanimous: this was not how America was to be shown. But what was at issue was a larger matter than patriotism. The challenge of Frank’s work in the late ’50s lay in his treatment of his subject matter and in his use of a photographic style well out of the […]

WILLIAM EGGLESTON: “Before Color” (2010)

By Doug Rickard William Eggleston is a “Southern” artist. Without a deeper explanation, this statement itself could mean a few things. If you look at the body of his work on the whole, the majority of it (almost all) is set within the Southern environs of the US… places like Tennessee, Alabama, Georgia, Kentucky and […]

Geoff Dyer on Trent Parke (2008)

Photography is a generous, abundant medium and Parke is a voracious photographer.   By Geoff Dyer I was introduced to the work of Trent Parke (born in Australia in 1971, a member of Magnum since 2007) by a mutual friend, the photographer, Matt Stuart. He showed me two books by Parke, both self-published. The first […]

Henri Cartier-Bresson’s Last Decisive Moment (2004)

Madrid, 1933 Cartier-Bresson generated the type of admiration he both enjoyed and ran away from.   By Bruno Chalifour, Afterimage, Sept-Oct, 2004 A lot has been written, and more will be, about the life in photography of Henri Cartier-Bresson. If Europe contributed to the medium in the twentieth century, Cartier-Bresson, a.k.a. HCB, probably stood among the […]

ASX.TV: Garry Winogrand – “Garry Winogrand”

Garry Winogrand (14 January 1928, New York City – 19 March 1984, Tijuana, Mexico) was a street photographer known for his portrayal of America in the mid-20th century. John Szarkowski called him the central photographer of his generation.   ASX CHANNEL: Garry Winogrand

Walker Evans and Robert Frank – An Essay on Influence by Tod Papageorge (1981)

 The purpose of this (text) is to describe the influence of Walker Evans’ American Photographs (1938) on The Americans (1959) of Robert Frank. By Tod Papageorge The purpose of this monograph is to describe the influence of Walker Evans’ American Photographs (1938) on The Americans (1959) of Robert Frank. To do this, the photographs in […]

Garry Winogrand, Public Eye (1981)

Winogrand’s pictures are usually packed with astounding quantities of incident and “information,” a catchword popular among practitioners and students of street photography during the early ’70’s. By Pepe Karmel Photography critics raised on the classical elegances of Stieglitz and Cartier-Bresson still consider Garry Winogrand’s photographs haphazard snapshots, mach as 19th century academic critics saw the […]

Daido Moriyama: Investigations of a Dog (1999)

 Stray Dog, Misawa, Aomori (1971)   Moriyama is conspicuous for the brutality with which he distorts photographic description: his pictures are sooty with grain, blotchy with glare, often out of focus or blurred by movement, often defaced by scratches in their negatives.   By Leo Rubinfien, October, 1999 The photographer Daido Moriyama, whose first U.S. […]