Helga Paris: Leipzig Hauptbanhof 1981/82

“I exhibit a strange tendency in airports to curse, eyeball other people with malice and regard the general process of shuttling and hefting my mass through antiseptic tunnels and bizarre space age flat Jetson walklavators with contempt…”   A commonality between train stations and photography is the architecture of waiting. Waiting can be read in […]

Americans Parade – an interview with George Georgiou

“Every image poses the question of American identity not just from the standpoint of our present reality, but from the playbook of iconic images – most of them from the twentieth century – that make up the history of American photography.”

Daisuke Morishita:A Raking Trilogy of Indexical Shadows

  “Many photographers will know that moment when they cross the path of the sun beaming down from a fifth story window-some will not even see it, they will feel the change of luminescence on their cheek, their hair will feel warmer as they pace”     The is a debilitating moment for many photographers […]

Udo Hesse: Tagesvisum Ost-Berlin

“The moat as it were, was governed by armament and barbed wire with an intervening hinterland of desolate stretch impolitely, if realistically referred to as the Death Strip. You can consider the Death Strip as an evaporated moat in which many escapees gave their lives fleeing the reverse castle. The reverse castle in real terms, […]

António Júlio Duarte: Against the Blackest of Days

  “There is noise, distortion, grain and the magnetic tape in my mind completely fails in parts to distribute any information at all. The images are dark, stained by the passing of time and the incredulous weight of dry heat. Throughout the song “Blackened” by Metallica plays over and over…”   When I look at […]

Chris Shaw: The Hunter and A Proximity To Prey

  The hunter is not hunting a person, nor an animal. The species of its intent is not pulsating, but rather imagined-it is the photographic. When I blather hot steam, a forceful wind, a speech upon the youth-less cuspids in my mouth of what I portend to mean about the “photographic”, I realize that it […]

Dennis Stock: Once Upon A Time in California

“Photographs make up the vast majority of how we consider the narrative of California in the late 60’s and early 70’s and Dennis Stock’s California Trip exemplifies the condition for how we examine our historical memory and consciousness of the period”.

Berris Conolly: The Sheffield Photographs That I Hear in My Head

  “We propose that what “X” is to “Y” is how “Z” was accomplished. We lack the details of a true oversight and our compunction to rely on discourse written from outside observations can be careless”.   When we reflect on history or movements that occur between eras, it is often hard to perceive the […]

Guy Tillim: Things Come Together

“It is this binary position that implies the view that African colonization created only victims incapable of looking after themselves, impotent against their oppressors and incompetent without.”

Mark Power: Good Morning, America Volume II

  “From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”.     “That is no longer considered autonomy. That friend is unfettered barbarism”. No stronger words have been […]

Ken Grant: Benny Profane And The Right To Refuse

“The intrepid photographer, whether war photographer, journalist or documentary photographer believes their position to be in accord with the act of producing a record- his or her position to remain neutral so far as to let vultures eat at the doubled over haunches of starving children, to let the blood run from 96.8 to a […]