“It is this binary position that implies the view that African colonization created only victims incapable of looking after themselves, impotent against their oppressors and incompetent without.”
“From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”. “That is no longer considered autonomy. That friend is unfettered barbarism”. No stronger words have been […]
“The intrepid photographer, whether war photographer, journalist or documentary photographer believes their position to be in accord with the act of producing a record- his or her position to remain neutral so far as to let vultures eat at the doubled over haunches of starving children, to let the blood run from 96.8 to a […]
“The subversive gesture to record and document, even if in cinematic discourse, the political and social status that a police officer represents in post-911 New York cannot be taken for granted”. Christopher Anderson’s work in essential terms is cinematic and tightly compressed. His images, when collated in book form become a mellifluous assortment […]
“Photography is bound to the world, and to time and circumstance, in a way that no other medium is. The technology is constantly evolving, as is the world, and the inevitability of these changes is part of the photographer’s relationship with her or his medium. Arguably, the most interesting photographers are those who never ‘mature’”
“The achievement of Donald Trump, for every ugly thing he musters to his lips, for every repellent speech and every obnoxiously hypocritical move he makes is entirely endemic of the American century and its reflection in decline”.
William Gedney, largely unknown in art world, outside of a few colleagues and curators, including John Szarkowski, Lee Friedlander, and Diane Arbus.
Many Japanese photographers came to New York to take photographs in the seventies and eighties, Kitajima arguably produced the best. Keizo Kitajima spent six months in New York roaming it’s gritty streets and hanging out in its clubs. He presented a vision of eighties New York, full of energy, decadence and moments of […]
“There is a sense in which this kind of photography involves taking something from people without giving them something in return.”
Bold and bluntly framed, the images are enthused with a voyeuristic atmosphere and an emphasis on body shapes that at times seem to hint at the grotesque.
Photographs from the area around Tallahassee, Florida in the 1950’s. A selection from the Red Kerce Collection. State Archives of Florida, Florida Memory.
Between 1945 and 1950, Stanley Kubrick worked as a staff photographer for LOOK magazine. Only 17 years old when he joined the magazine, he was by far its youngest photographer. Kubrick often turned his camera on New York City. (All rights reserved. Images @ The Estate of Stanley Kubrick.)