Sage Sohier Americans Seen

I had not held a copy of Americans Seen until this new remastered edition, published by Nazraeli Press, landed on my doorstep a few weeks ago. I had previously come to Sage’s work through her book Animals, published in 2019 by British publishers Stanley/Barker. It was at that point that I became aware of Americans […]

Carmen Winant The Last Safe Abortion

  Access to medical attention should be a right, no matter religious qualification or moralizing over another adult person’s decision. In the case of abortion, this is complicated by how we judge human sentience in the form of an unborn child. It is complicated. To say otherwise would be a misstep that does not account […]

Lúa Ribeira – Subida Al Cielo

“Of course they will find it difficult to situate them historically. They must feel free to see them as images that evoke something in their own minds. They’re illustrations inspired by a theme, actually, rather than depictions of a particular story, I think.” – Paula Rego Though she was speaking about her own images, Paula […]

Chris Dorley Brown – A History of the East End

A and not THE. Let’s be clear from the get-go that what we are talking about is A, or one, interpretive history of London’s East End through the prism of photography and, arguably, property and labor by esteemed archivist/documentarian Chris Dorley Brown, whose recent book A History of the East End, published by Nouveau Palais […]

Rodrigo Valenzuela – New Works For a Post-Workers World

Rodrigo Valenzuela has been producing incredible work for the past couple of years. I was lucky enough to get a copy of his last book, Journeyman, published by Mousse Publishing. It was my introduction to the Chilean-American’s work, and from that point, we managed to have an extensive conversation about his work for Nearest Truth. […]

Xiaofu Wang – The Tower Supporting Texts

The Sight of It, Translated as Home Maša Seničić I wished to begin with, “when I saw it for the first time,” but I don’t know if I even have a recollection of looking at the building with intent before, if I had ever paid particular attention to its monumental nature, to its allure, or its […]

Bryan Schutmaat – Sons of the Living | Perspective II

Sons of the Living (Trespasser 2024) is Bryan Schutmaat’s opus. It is the summation of a decade-plus of making exceptional photographs. I have been familiar with his work for some time, and seeing his work and career grow has been a pleasure. He is also a good dude and supportive of other artists. That should […]

Bryan Schutmaat – Sons of the Living | Perspective 1

Bryan Schutmaat is a photographer of the American West. His work is dedicated to sites along the interstate highway — forgotten mining towns, abandoned truck stops, weathered billboards, the garbage scattered across dirt roads. What he is attracted to is the region’s extremes: the harsh desert sun, its arid fields, trash heaps of tires, the […]

Gregory Halpern – King, Queen, Knave | Perspective 2

Gregory Halpern’s photobook King, Queen, Knave has been nineteen years in the making. The first images for the photobook were shot while Halpern was a student in the MFA program at California College of the Arts, where he studied under his mentor, the photographer Larry Sultan. At the time, Halpern felt lost and adrift, unsure […]

Gregory Halpern – King, Queen, Knave | Perspective 1

It has taken me a few weeks to elucidate my feelings in reviewing Gregory’s new book King, Queen, Knave, published by MACK this past month. I had previously seen some photographs in a workshop we facilitated in Athens with Gregory, Raymond Meeks, Adrianna Ault, and Tim Carpenter. I remember the images well, though I am […]

Akihiko Okamura – The Memories of Others

  As I found with Whatever You Say, Say Nothing by Gilles Peress (Steidl), The Troubles and their representation are incredibly difficult to write about from the point of view of an outsider. It is a very touchy subject. Even posting about it on social media platforms (as I also found out) will have opposing […]

Yasuhiro Ishimoto – Lines and Bodies

  The gift of Japanese photography is that it feels like a never-ending field of exploration. It is a wide field of study, and if one invests in the material created in Japan from around 1958 forward, the returns are plentiful. Having put off embracing the canon of Japanese photography for most of my career […]