The life of Sarah Schumann should be much better known to the world. As a proponent of the New Women’s Movement, a talented painter, collagist, designer, and all-around life of post-war intrigue suggests a profound tie to the German movements of the mid-century, and yet, like many artists, particularly female artists of the Twentieth Century, […]
Agony in the Garden. Parables. Metaphors. Incisive mythology within the realms of the contemporary political landscape of Europe in the 2020s. To reduce Lua Ribeira’s work to any single motif is an exercise in futility. Instead, the analysis must stem from the aggregate means of its parts. Of course, one cannot simply resign the work […]
I was sent this lovely book about the choreography and performance art of Hermann Heisig by Spector Books, one of Germany’s finest publishers, at the suggestion of their team. I tend to value suggestions like these from a publisher known for a wide output, as they offer a thoughtful dialogue between parties. I get to […]
Contact sheets offer an incredible look at the back end of a photographer’s process. Often hidden, they also present a slight enigma in that they also show all manner of warts. Every photographer is aware of the personal nature of contact sheets, which are used as a work tool to decide which images may eventually […]
Nan Goldin, This Will Not End Well, Pirelli HangarBicocca, Milan 11.10.2025 – 15.02.2026 By Anna Zimm & Sophie Zimm — There aren’t many exhibitions that would make me travel to another city, but in mid-October Nan Goldin’s This Will Not End Well opened at the Pirelli HangarBicocca in Milan—an exhibition my sister Sophie and I […]
I first encountered the visceral photographs of Lucile Boiron a few years ago when I bought a copy of her book Mise en Pièces, also published by Belgian publisher Art Paper Editions (APE), like her new book Bouche. I remember being very excited about the book, as it reminded me of the visceral tendencies in […]
When you think you have seen the model-to-photographer genre wear itself thin, along comes Matilde SøesRasmussen to challenge, deepen, and extract gold from the topic by putting together her second intriguing photobook, which deals with modelling. Søes Rasmussen ’s first book, Unprofessional, published by Disko Bay, was a grand slam that, through her point-and-shoot aesthetic, detailed […]
I do not know that much about Hatleberg’s work. I did get a copy of his last book, River’s Dream, as I had missed out on Lost Coast, his first book with eminent American publishers TBW Books. My surface reading of River’s Dream suggested a post-Soth investigation of American topography. I was reminded of Doug Dubois, Alec Soth, Kristine […]
What strikes me as an interesting premise in Florian Merdes’s book Steamcracker is the enforced myopic rendering of details and patterns, which turns the book and its intense sequences into something minutely chaotic. There is a world underneath the surface of things, a rhythm and a dedication to line that emanates in Florian’s book. […]
In 1870-1871, during the siege of Paris, better known as the Paris Commune, several ingenious actions were carried out throughout the year to continue the communards’ defense first against the Prussians, then the Thiers government, which sought to suppress the resistance within the heart of Paris. Both of these actions were the result of harnessing […]
Batia Suter’s work has several substantial iterations at its heart. It stems from an understanding of volume and how images function, both in terms of their materiality and their historical context. This is most evident in her opuses Parallel Encyclopedia I and II, both published by Roma. The work that Suter makes can be […]
As if the war legacy of Dunkirk had not already been recognized as a pivotal shit eating point in its past, its charred hand to swollen coal-crusted mouth, poisoned by ethanol overload and toxic industrial habitat, history has now favored turning it from a battle-scarred historical footnote into a vast hellscape busy with killing off […]