Gordon Parks: The Atmosphere of Crime, 1957/2020

  “It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…”   It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]

Thomas Sauvin: In Opposition, The Mirror Lies

  We confuse ourselves with our recognition of our portrait in a mirror. The hand that brushes away the hairs from the forehead, the sweet sticky perspiration that pins the lock to the crown is read in reverse and yet, this reversal is apathetic to the self that it stares back at. The eyes glare […]

Helga Paris: Leipzig Hauptbanhof 1981/82

“I exhibit a strange tendency in airports to curse, eyeball other people with malice and regard the general process of shuttling and hefting my mass through antiseptic tunnels and bizarre space age flat Jetson walklavators with contempt…”   A commonality between train stations and photography is the architecture of waiting. Waiting can be read in […]

Dieter Keller: Das Auge Des Krieges

“Othering of the loser of a war is important for collective consciousness and acts as a bulwark against the tide of human sympathy in the matters of inhumane consequence”   There are a number of different ways to approach writing about photography and World War II and to be clear, none of them should consider […]

Americans Parade – an interview with George Georgiou

“Every image poses the question of American identity not just from the standpoint of our present reality, but from the playbook of iconic images – most of them from the twentieth century – that make up the history of American photography.”

Emilie Lauriola Le Bal, Paris: Support Photobook Shops #5

“This is before the Internet and I was living in an isolated place, so access to ‘culture’ was quite limited but I fortunately did have the photography magazines my parents were buying as well as the radio shows I would try to tune into from the countryside to copy the music on tapes…”   BF: […]

Bildband Berlin: Support Photography Bookshops #3

  “I’d been playing drums in a few bands, Th’ Faith Healers and Stereolab among others, and between tours and photo jobs I’d take off on photo projects of my own, often to Berlin. Eventually I got a place in Berlin, because I realised it had a lot of what London was losing, it’s a […]

Maria Lax: The Phenomenon of Fire, Regardless Its Truth

“In the case of phenomenon, we often commodify our intentions and collude over a recognized minority of experience based on the slight repetition of the materialization of unnatural form”   There is a common element that divides the paper-thin system of belief between what we consider phenomenon and what we consider truth. This is the […]

Micamera Interview: Support Photography Book Stores #1

“We wanted to show ourselves that we could restart from nothing and realize a dream. Photobooks were basically unavailable in Milan…”   This is the first post in a series of posts about photography bookshops during the time of quarantine. There are a number of people behind the scenes who work tirelessly to promote photography […]

Sarah Walker: Pelči Manor A Guide to Attic Photography

“The historical representations of architectural photography deal in large measure with style and period, but are also concerned with the history that passes through the buildings within the frame”.   There are antecedents to every photograph produced in the present day. In the case of architectural photography, there are many ways in which we can […]

Land’s End: Trauma is a Strange Attractor

“We are on occasion reminded on occasion of a great plague pit, its underground presence rewarded with a blue plaque to signify its existence as both a terrible debacle in our local history and yet it tellingly reminds us of the foreboding possibility for futures yet unspoken”   Trauma is a strange attractor. Just as […]

Udo Hesse: Tagesvisum Ost-Berlin

“The moat as it were, was governed by armament and barbed wire with an intervening hinterland of desolate stretch impolitely, if realistically referred to as the Death Strip. You can consider the Death Strip as an evaporated moat in which many escapees gave their lives fleeing the reverse castle. The reverse castle in real terms, […]