Land’s End: Trauma is a Strange Attractor

“We are on occasion reminded on occasion of a great plague pit, its underground presence rewarded with a blue plaque to signify its existence as both a terrible debacle in our local history and yet it tellingly reminds us of the foreboding possibility for futures yet unspoken”   Trauma is a strange attractor. Just as […]

Udo Hesse: Tagesvisum Ost-Berlin

“The moat as it were, was governed by armament and barbed wire with an intervening hinterland of desolate stretch impolitely, if realistically referred to as the Death Strip. You can consider the Death Strip as an evaporated moat in which many escapees gave their lives fleeing the reverse castle. The reverse castle in real terms, […]

Benjamin Pfau: Isthmus, A Nocturnal Biopic

  “So, why do you go to Bangkok if you are under 50, able-dicked and not looking to run an anti-biotics course every Monday morning? You float, you drift and you embed yourself in loose associations that prohibit direct and long-term commitment to form, but rather situate the time spent in a separate category that […]

Sam Contis Dorothea Lange: Day Sleeper Then as Now and.

    History generally presents itself to the future in visual terms that signify the distance between the two points of time from its creation and its re-purposing and its re-examination. The fallacy in photographic terms of historical representation and its distribution of intent are intertwined between reason and audience over the passing of linear […]

Brad Rimmer: Nature Boy, Dispossession and the Art of Fire

“The teens of the group had mentioned amongst themselves that Marie Kondo was probably part of the seemingly insidious discussion. Was the dispossession that the man raged about relegated to clutter or to economics? And…why should we/I/You concern ourselves with considerations of obscene boredom when the beds were allegedly burning? Not much fun in this […]

Bryan Schutmaat:The Goddamn Interview

“In very broad terms, it seems that the work made in the West during the 20th century portrays a prolonged event – a disaster, you could say – that unfolded as modernity overtook the landscape and ideologies were instilled in American culture”.

Mafia, Dead Bodies and Photography – Students Interview Letizia Battaglia (2001)

“To start, not all of the pictures that a photographer makes are important.” Photography as Art: The Involvement of the Photographer with His/Her Subject and Photography as Historical Evidence Transcribed February 9, 2001 Translated for ASX by Osvaldo Sanviti, 2013 Life goes on before us in a continuous flow. To freeze a fragment in an […]

ASX Interviews Antoinette de Jong and Robert Knoth (2012)

Afghanistan @ Robert Knoth & Antoinette de Jong “It becomes very focused on just a few things, like religious extremism, terrorist groups, attacks, the Taliban, and Afghans beating their wives.  These kinds of stories are what everyone is after.” By Paul Loomis exclusively for ASX, Interview conducted on Monday, February 11th, 2013 Antoinette De Jong […]

In Conversation with Julian Germain (2005)

“I wanted to photograph in the favellas but is was dangerous for me and actually for anyone I wanted to photograph. I met two Brazilian artists, Patricia Azevedo and Murilo Godoy. We decided to give cameras out and ask people (especially children) if they would like to take pictures themselves.”   In Conversation: Julian Germain […]