I do not know much about the war in Ukraine, despite living in a country that borders it. I don’t know much about it as the fog of war hangs heavily, like a thick, void-like curtain over the whole mess. The principal idea is clear. Russia has invaded its neighbor and, in doing so, […]
I am incredibly biased as I write this. I share a close connection with the artist Pieter Hugo through our Nearest Truth workshop programming. Although it might seem counterintuitive to the points I will raise subsequently, I have had a chance to hear Pieter talk about his work in detail, with all the challenging […]
If you happened to attend the 2009 NY Art Book Fair, you might have come across Gregory Halpern’s Omaha Sketchbook on the table of J&L Books. This early version was rough and unassuming, printed on a laser printer and spiral-bound, its pages made from cheap white paper with small contact prints affixed throughout. The images […]
“Of course they will find it difficult to situate them historically. They must feel free to see them as images that evoke something in their own minds. They’re illustrations inspired by a theme, actually, rather than depictions of a particular story, I think.” – Paula Rego Though she was speaking about her own images, Paula […]
23rd July 2018 16:41pm: First Report of the fire in Ntaou 16:50pm: First Fire Helicopter is directed to the area with ETA 17:10 17:30pm: One Helicopter operates on the fire 18:00 -18:30pm: No Helicopter operates in the area. 18:06pm: The fire enters the village of Neos Voutzas. 18:20pm: The fire crosses the Marathonos Avenue. 18:25pm: The […]
DIARY ENTRY 25/01/2025 Today I went back to writing. There has been very little time to work on the text accompanying the book in the last few months. Re read notes, retracing steps – yet again. I close my eyes and everything is there in front of me. The only thing I do not remember […]
A and not THE. Let’s be clear from the get-go that what we are talking about is A, or one, interpretive history of London’s East End through the prism of photography and, arguably, property and labor by esteemed archivist/documentarian Chris Dorley Brown, whose recent book A History of the East End, published by Nouveau Palais […]
How does one begin to excavate memories that lie in the distressed trough of the murder of a loved one? When he was seven years old, Jean-Michel André was staying at a hotel with his father and his father’s new girlfriend in Avignon, France, when a robbery turned into a homicide with both his father […]
Sons of the Living (Trespasser 2024) is Bryan Schutmaat’s opus. It is the summation of a decade-plus of making exceptional photographs. I have been familiar with his work for some time, and seeing his work and career grow has been a pleasure. He is also a good dude and supportive of other artists. That should […]
Bryan Schutmaat is a photographer of the American West. His work is dedicated to sites along the interstate highway — forgotten mining towns, abandoned truck stops, weathered billboards, the garbage scattered across dirt roads. What he is attracted to is the region’s extremes: the harsh desert sun, its arid fields, trash heaps of tires, the […]
With the recent emphasis on street photography found in volumes such as Matt Stuart’s Think Like a Street Photographer (Laurence King Publishing, 2021) and Reclaim the Street: Street Photography’s Moment, Matt Stuart with Stephen McLaren (Thames & Hudson, 2023), there seems to be a renewed awakening to the genre. If the countless YouTube videos about […]
As I found with Whatever You Say, Say Nothing by Gilles Peress (Steidl), The Troubles and their representation are incredibly difficult to write about from the point of view of an outsider. It is a very touchy subject. Even posting about it on social media platforms (as I also found out) will have opposing […]