“Everything seems somehow familiar and distant at the same time. It is as if time has wedged us between the fever dream of summer and the insoluble gaslighting conjured up from what was believed to be a significantly flawed, but tolerable near past” The way we live now. It all seems so easily […]
“The conservative government was in power with reports of David Cameron and his infidelities with swine breaking the news Murdoch-owned dailies” Estate by Robert Clayton was published in 2015 and I am in no way trying to declare any different, but 2015 was a very different year for Britain. It was the year […]
“The phrase “necessary fictions” both characterizes state-created realities, whether simulation in the military training context or the deployment and consumption of fictions in civilian society, and also comments on the documentary form.”
“It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…” It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]
“I exhibit a strange tendency in airports to curse, eyeball other people with malice and regard the general process of shuttling and hefting my mass through antiseptic tunnels and bizarre space age flat Jetson walklavators with contempt…” A commonality between train stations and photography is the architecture of waiting. Waiting can be read in […]
“Othering of the loser of a war is important for collective consciousness and acts as a bulwark against the tide of human sympathy in the matters of inhumane consequence” There are a number of different ways to approach writing about photography and World War II and to be clear, none of them should consider […]
“This is before the Internet and I was living in an isolated place, so access to ‘culture’ was quite limited but I fortunately did have the photography magazines my parents were buying as well as the radio shows I would try to tune into from the countryside to copy the music on tapes…” BF: […]
“I’d been playing drums in a few bands, Th’ Faith Healers and Stereolab among others, and between tours and photo jobs I’d take off on photo projects of my own, often to Berlin. Eventually I got a place in Berlin, because I realised it had a lot of what London was losing, it’s a […]
“I know the first photograph that left a significant mark on me, to this day, is George Rodger’s picture of the defeated Nuba wrestler carrying the victor” Claude Lemaire runs L’Ascenseur Végétal in Bordeaux, France and stocks both new and antiquarian photography books. With all of these interviews, what I hope to accomplish is […]
“In the case of phenomenon, we often commodify our intentions and collude over a recognized minority of experience based on the slight repetition of the materialization of unnatural form” There is a common element that divides the paper-thin system of belief between what we consider phenomenon and what we consider truth. This is the […]
“We are on occasion reminded on occasion of a great plague pit, its underground presence rewarded with a blue plaque to signify its existence as both a terrible debacle in our local history and yet it tellingly reminds us of the foreboding possibility for futures yet unspoken” Trauma is a strange attractor. Just as […]
“The moat as it were, was governed by armament and barbed wire with an intervening hinterland of desolate stretch impolitely, if realistically referred to as the Death Strip. You can consider the Death Strip as an evaporated moat in which many escapees gave their lives fleeing the reverse castle. The reverse castle in real terms, […]