How to Sue Richard Prince and Win

 Today, Richard Prince, still glowing in triumph after his own copyright battle with Patrick Cariou, is simply screen-capturing his own participation on Instagram—brazenly selling inkjet enlargements of other people’s image uploads for $90,000 a pop. What’s more, Prince is adored for it. How to Sue Richard Prince and Win By Nate Harrison, July 10, 2015 My […]

Jean-Christian Bourcart on Camouflage, Voyeurism and Wearing Masks (1999)

      “I got the idea of camouflaging my camera in Frankfurt, where I was shooting an essay on its brothels.”     Interview conducted by Brigitte Ollier (Paris, October 9, 1999) English translation by R. Bononno   Madeleine I got the idea of camouflaging my camera in Frankfurt, where I was shooting an […]

Andreas Gursky and ‘The Iron Cage of Boredom’

The Rhine II, 1999 There is something very straightforward about Andreas Gursky’s photographs. It is as though he holds up a peopled landscape or a building or a workplace for our inspection, saying simply, ‘here it is’.   The Iron Cage of Boredom By Julian Stallabrass There is something very straightforward about Andreas Gursky’s photographs. […]

Nagano Shigeichi: “Nagano’s Tokyo” (2014)

By Caille Milner, for ASX, May 2014 Why does Tokyo look so unfamiliar in Nagano Shigeichi’s photographs? He used no slights of hand; followed no special methodology. His influences were the usual ones for his generation — William Eugene Smith, Life magazine, celebrated Japanese photojournalists like Kimura Ihei and Fujimoto Shihachi. He didn’t have pretentions […]

Thomas Ruff: Aesthetic of the Pixel

Ruff has done a great deal to introduce into photographic art what we might call an ‘art of the pixel’, allowing us to contemplate at an aesthetic and philosophical level the basic condition of the electronic image.   By David Campany, originally published in IANN magazine No.2, 2008 The photographic art of Thomas Ruff makes […]

Robert Frank: “Unpleasant Connections” (1991)

“In Butte, Montana, he photographed a slovenly, middle-aged woman in her car with a sullen child staring out of the window behind her. He showed a bench full of decrepit old people in St. Petersburg, Florida, staring at nothing in particular while a shiny new Pontiac whizzed by on the street behind them.”   By […]

On Ralph Eugene Meatyard (Excerpt) (1997)

  Williams wrote me that there was a photographer there who took pictures of children and American flags in attics.   Excerpt from The Geography of the Imagination: Forty Essays By Guy Davenport When I moved to Lexington in 1964 the poet Jonathan Williams wrote me that there was a photographer there who took pictures […]

Tony-Ray Jones: “A Day Off: An English Journal” (1974)

Blackpool, Lancashire,1968 ‘I want my pictures to bite like the images in Bunuel’s films which disturb you while making you think. I want them to have poignancy and sharpness but with humour on top.’ – Tony Ray-Jones By Ainslie Ellis, originally published as the introduction in A Day Off, and English Journal, 1974. In San Francisco […]