Larry Clark – Return

This is a fascinating and unexpected title. I suspect that some people might consider it a repeat of images that circulate through Larry Clark’s opus Tulsa, and that is not a wrong way to feel about it, but what is important is how we see the periphery of images from that incredible body of work […]

Xiaofu Wang – The Tower Supporting Texts

The Sight of It, Translated as Home Maša Seničić I wished to begin with, “when I saw it for the first time,” but I don’t know if I even have a recollection of looking at the building with intent before, if I had ever paid particular attention to its monumental nature, to its allure, or its […]

Bryan Schutmaat – Sons of the Living | Perspective 1

Bryan Schutmaat is a photographer of the American West. His work is dedicated to sites along the interstate highway — forgotten mining towns, abandoned truck stops, weathered billboards, the garbage scattered across dirt roads. What he is attracted to is the region’s extremes: the harsh desert sun, its arid fields, trash heaps of tires, the […]

Ben Millar Cole – After Wall: The Wood Wide Web and AI Art

  After Wall: The Wood Wide Web and AI Art  By Ben Millar Cole   In 1993, Jeff Wall meticulously reworked Hokusai’s famous 19th century woodblock print A Sudden Gust of Wind at Ejri as a large-scale photograph, spending more than a year in his local vicinity constructing scenes and orchestrating actors to produce a […]

Gregory Halpern – King, Queen, Knave | Perspective 2

Gregory Halpern’s photobook King, Queen, Knave has been nineteen years in the making. The first images for the photobook were shot while Halpern was a student in the MFA program at California College of the Arts, where he studied under his mentor, the photographer Larry Sultan. At the time, Halpern felt lost and adrift, unsure […]

On Robert Adams

“After people live awhile in a place to which they’ve laid waste, it gets to be easy to hate a great many things. Including themselves. And anything green that tries to rise again.” Robert Adams “There is another world and it is in this one.”  Paul Éluard There have been few post-war American photographers, if […]

Joel Pulliam on Ikko Narahara

Ikko Narahara – Where Time has Vanished by Joel Pulliam It has been on my mind for a while to write about something that I am provisionally calling “New Orientalism.” It is the phenomenon of highly regarded photographers dropping into Tokyo for a few weeks or months, taking pictures, and then publishing a book. I […]

Nikita Teryoshin – Nothing Personal: The Back Office of War

War is good business for some, and misery for most everyone else. The executives of defense contractors such as Lockheed Martin or Raytheon, people who directly profit from the outbreak and continuation of war, are incentivized to hope for its continuation rather than its cessation, because where there is war (in Yemen, Ukraine, or in […]

Yelena Yemchuk – Odesa

Growing up in the capital city of Kyiv in the late 1970s, Yelena Yemchuk felt inexplicably drawn to Odesa, a city recognized for its independence and defiance to Soviet control. Visiting for the first time in 2003, decades after immigrating to America in 1981, Yemchuk returned in 2015 with the objective of developing a photographic […]

RaMell Ross – Spell, Time, Practice, American, Body

An image I find myself returning to over and over again is a photograph by RaMell Ross titled Dream Catcher (2014). The photograph pictures a young boy lying down on a chain-link fence, staring up at the sky as if enchanted and transfixed by a spell. The photograph was shot at midday in Hale County, […]

Curran Hatleberg – Lost Coast & River’s Dream

There is a strange and perplexing photograph in Curran Hatleberg’s photobook, River’s Dream (TBW, 2022), which shows a man with a large swarm of bees attached to his face and body. The image is bewildering. The man is sitting down in a chair, with no protective gear, and his eyes are closed. His hands are […]

Carla Williams – Tender

Carla Williams can make the world beyond us seem a simple place. Looking at the self-portraits she made over a fifteen year period, from 1984-1999, may briefly lull us into a false apprehension of the world as containing little interest of its own. Such is the poetic depth of these pictures, which, when edited and […]