“Armenia and Its role in the central Caucasus make its geography of special geo-political reference given its access point, along with Azerbaijan and Georgia to both the Caspian and Black seas and their lucrative conditions of speculative petrol potential”. Yerevan, the Armenian capital is built from several considerations of the volcanic. In […]
“Listen, the weight of a heavy set foot dragging across the floor boards above unmoored by concern for the splinter in the attic above, the same attic two floor removed from the wet-smelling basement where deer hides are tanned with Borax soap..” Out here, I see the world through a type of gauze […]
“The disappearance of discernible items that we consider part of the terrain from fire hydrants to road signs seem obliterated and marshmallowed under the soft, yet threatening canvas or blanket of ice that permeates each picture. Houses tend towards the gingerbread with too much icing and though it can be suggested that it is possible […]
It was the best of years…. Once again it is that time of year where I try to drum up some sort of edit from all of the incredible work the photography book world offers up. This year is difficult as I felt it has been one of the strongest years in recent […]
“Guillaume Simoneau is a not a cannibal, but his book Murder (MACK), is an ode to Fukase’s legendary status and particularly his book Karasu/Ravens. Murder is a devotional hymn, or a phantom limb added to the mythology of the Japanese artist” Inherent or Mythological Propagandas One of photography’s less considered functions is […]
“Whiteness is a position that anyone can possess regardless of their colour.”
The content may criticize the media or the state or the history of photography, but I would be disappointed if the work were reducible to any one of those things.
I was, part of a youth culture, a movement. And I greatly embraced this liberating music and club life, which was in such stark contrast to the posy-dressy 80s.
Often blurred and seeming to blend into interiors, Woodman’s photographs evoke a haunting, haunted world wherein her own physical self appears to vanish—or emerge—before our eyes.
“If there’re gonna be 100 people in my apartment, there are gonna be twenty or so who want to be exhibitionists and expose themselves to express themselves…”
Stacy Kranitz ’s long-form photographic project As it was give(n) to me is a work that interrogates notions of documentary truth.
“I got the idea of camouflaging my camera in Frankfurt, where I was shooting an essay on its brothels.” Interview conducted by Brigitte Ollier (Paris, October 9, 1999) English translation by R. Bononno Madeleine I got the idea of camouflaging my camera in Frankfurt, where I was shooting an […]