Daido Moriyama I feel bad saying this, and you will have to read on to find more positive suggestions about this book, but I think Moriyama has become quite a pastiche of his earlier glory. I understand how he arrives at that conclusion, and frankly, most people will likely be inclined to argue with […]
There is a photograph by Frederick H. Evans from 1896, entitled “In the Attics,” in which the artist captures the improbably clean space of Kelmscott Manor, the home of Arts and Crafts movement pioneer William Morris. The photograph presents the attic as a type of raw liminal space, where the viewer can identify […]
Robert Flick’s career is exciting. Born in Holland in 1939, the artist emigrated to North America by the 1960s and had work featured in publications as early as 1966. He has been exhibiting since the 1960s, and his work is featured in many institutions; yet, he is not easily placed in any respective movement, […]
Archival projects rarely offer a great conceptual rigor, in my opinion. As a collector of vernacular photography for over thirty years, I am often at pains to parse through projects that employ archival material, as I frequently feel that they are unfamiliar with the tropes associated with the material. I frequently struggle similarly when those […]
Japan is a country that pulls many artists into its clutches like a cultural tractor beam. For reasons unknown, Japan has dominated the imaginations of travellers, writers, artists, and historians to a degree that borders, for many, on obsession. I have never been to Japan, but I can admit being caught in the clutches of […]
Martina Hoogland Ivanow is, in my opinion, one of the most talented people working in contemporary photography. Her photographs and books are unique. She works in a style that suggests cinema, through color grading and the suggestion of a narrative built from a series of independent film stills. There is a suggestion of motion […]
The legacy of intergenerational trauma is complicated to untangle. What we pass onto others and try to shield them from is often at odds with the need to unburden the experiences and traumas that have been suffered. It sags in our heart like a loose sock sliding down an ankle, a rock in the shoe, […]
What we do not talk about, dare to concern ourselves with, or pay much attention to are the men who fall through the cracks toward the end. We are happy to discuss the problems associated with masculine behaviour. Yet, we can’t imagine a discussion about men left wandering by their own devices or by […]
It is an interesting moment for the medium of the photobook. The boom dust is beginning to settle as inflation makes the market less navigable. The price of producing photobooks is ont he rise and coincides with a shrinking market size. This is based on a broader conversation with publishers and artists over the past […]
I am incredibly biased as I write this. I share a close connection with the artist Pieter Hugo through our Nearest Truth workshop programming. Although it might seem counterintuitive to the points I will raise subsequently, I have had a chance to hear Pieter talk about his work in detail, with all the challenging […]
Between the Skin and the Sea is the new book by German artist Katrin Koenning. Katrin lives abroad in Australia, and that will factor into the discussion regarding her latest book, published by Chose Commune, the wonderful French publisher who put out her book with equally talented Sarker Protick in 2016, entitled Astres Noirs. […]
Motel 42 (Leaf, 2024) is another testament to the never-ending slew of American road trip books. However, in Eloïse Labarbe-Lafon’s book, you can’t see much of America outside of the cigarette-stained roadside motel rooms she and her lover Adrien have occupied. You can read about the places they visited in the back of the book, […]