Morten Andersen Satyricon & Munch

Please Visit the Full article on Patreon Synopsis: Morten Andersen’s Satyricon & Munch is a perfect example of the collaborative capacity between music and the photobook. The collaboration between black metal heavyweights Satyricon, Andersen, and the Munchmuseet exemplifies a rare chance to see three dominant egos (even if posthumous) work in tandem to produce documentation […]

Tomaso Clavarino Padanistan

The full 2100 Word essay with 11 photographs on Tomaso Clavarino‘s Padanistan published by Studio Faganel and Guest Editions can be found here. Thank you for your support. Summary Text below     “My suggestion is that this is a vital book. I am not sure if it is a bit regional in scope. One […]

Mimi Plumb The Golden City

  We have yet to reconcile the deep chasm of exchange in the American order during the fateful summer and winter of 1969. During the rightfully dubbed Summer of Hate, the Manson Family murders shook the very bedrock of the American free lovin’ psyche. The significance of the murders ended the free wheelin’ summer of […]

Paul Graham: Troubled Land

We fail our images and images fail our desires. In trying to deliberate over which side of failure images are consigned to, the human side versus the side of the function of the image itself, it is hard to not implicate oneself in misunderstanding the function of a photographic image. We have come to expect […]

Alexis Desgagnés: Ammoniaque

  Ammoniaque is a simple book. I would almost describe the images within it as minimal. Alexis Desgagnés, a Canadian photographer working in Montreal has chosen to focus his attention on one wall, an intimate object oddly teeming with signs of life or human intervention in an industrialized area of the city situated off Moreau […]

Ulrich Wüst Cityscapes 1979–1985

  I am attracted to the idea of audibility in photographs. In assessing my desire to hear photographs, I would suggest that this stems from a few reasons. Firstly, the static and still nature of a photograph rent from the passing and often raucous movement of life is singular in its condition to be viewed […]

Luigi Ghirri: Puglia. Tra albe e tramonti

  One of the enduring traits found in the photography of Luigi Ghirri is the way in which the artist played with the camera and the optical alignment of photographic images. His quest for optical games, shooting from behind the corner or through the veil as it were created a dialogue in photography that at […]

Yannick Cormier Dravidian Catharsis

  Photography has a long history of documenting performances and rituals. The two terms, though separate are inexorably linked when they cross the path of divinity in all of its forms, invocations, and variations. From Christianity to the most abject forms of its antithesis, photography has always been instrumental in the documentation of rituals, the […]

Mattia Parodi & Piergiorgio Sorgetti The Missing Eye

  Perhaps it is because we live in a time where our affinity towards our natural environment has faced a grave and perilous threat that we are beginning to look inward towards the world around us, particularly to the natural world and the affirming images that it conjures on a micro-level. After centuries of technological […]

Martin Bogren Passenger

  Were all just passengers here, some of us just feel the need to document our experiences to convey, reflexively back to ourselves, that we were ever really present. We rely on the camera as a means for which to confirm our existence and our incremental movements here under the increasingly hot sun. The camera […]

Paolo Gasparini Field of Images

  Paolo Gasparini’s lengthy career and intense scrutiny of the Latin American social and political landscape from the point of view of an outsider looking in has produced, by proxy of his many photobooks and serial investigations of place, an incredibly rich document of Latin America caught in-between disjointed moments of upheaval and the hope […]

Francesco Merlini The Flood

  Note: There is a soluble parable lurking in the back of my mind that I wish to tether to this review of Francesco Merlini’s photobook The Flood. I am not sure I believe in it myself. Parables are strange pronouncements offered by someone as if in authority, moral or other. Therefore, one cannot help […]