A Texture Akin to Language: Alan Huck Revisits Michael Schmidt’s Waffenruhe

  “The fridge was loud, but outside it was quiet, much quieter.”     There is a literal wall of language separating the two halves of Michael Schmidt’s landmark photobook Waffenruhe (published in 1987 and reprinted in 2018), a visually sprawling text that spans seventeen pages at the center of the book. Despite the text’s […]

Tatum Shaw’s PLUSGOOD! Color Corrected

“All are slightly queasy in appearance, the Technicolor saturation making the images unbelievable to some extent, which adds to the delirium of her dream state”.     High-intensity color saturation in a photograph creates something of a parallel universe in which things can feel positively uncanny. I would suggest that in terms of historical notation […]

Thomas Sauvin: In Opposition, The Mirror Lies

  We confuse ourselves with our recognition of our portrait in a mirror. The hand that brushes away the hairs from the forehead, the sweet sticky perspiration that pins the lock to the crown is read in reverse and yet, this reversal is apathetic to the self that it stares back at. The eyes glare […]

Helga Paris: Leipzig Hauptbanhof 1981/82

“I exhibit a strange tendency in airports to curse, eyeball other people with malice and regard the general process of shuttling and hefting my mass through antiseptic tunnels and bizarre space age flat Jetson walklavators with contempt…”   A commonality between train stations and photography is the architecture of waiting. Waiting can be read in […]

Dieter Keller: Das Auge Des Krieges

“Othering of the loser of a war is important for collective consciousness and acts as a bulwark against the tide of human sympathy in the matters of inhumane consequence”   There are a number of different ways to approach writing about photography and World War II and to be clear, none of them should consider […]

Masuda Yoshinori: Tiger 2

“Masuda repudiates the spectacle, revealing another side to the existence these creatures face using the simplest aspects of repetition and chance.”

Emilie Lauriola Le Bal, Paris: Support Photobook Shops #5

“This is before the Internet and I was living in an isolated place, so access to ‘culture’ was quite limited but I fortunately did have the photography magazines my parents were buying as well as the radio shows I would try to tune into from the countryside to copy the music on tapes…”   BF: […]

John Divola: Chroma and Spectrum Opposition

“Animals by evolutionary prowess and survival mode are given differing powers of sight. Humans with the benefit of great vision are still limited to a fairly diffuse understanding of the wider spectrum. Such is the case of our art as well”   On the face of it, color or chromatic evaluation of form is spectrum […]

Daisuke Morishita:A Raking Trilogy of Indexical Shadows

  “Many photographers will know that moment when they cross the path of the sun beaming down from a fifth story window-some will not even see it, they will feel the change of luminescence on their cheek, their hair will feel warmer as they pace”     The is a debilitating moment for many photographers […]

Kominek Books: Support Photography Book Shops #4

“I had a calming moment and I started to nurture my love for cinema. So I guess for me to play the long game was to end up making cinema, starting by photography, then making music and so on. Cinema is the unification of all arts”     BF: Michael Kominek-artist, publisher, gallerist, book seller-what […]