In the realms of art, we celebrate a single act of creation. We give license to a nearly ideological pursuit of aura, a way in which we receive the act of a single creation as a roughly divine measure of human success. Yet, in photography and creating a photobook, which begs for narrative and […]
Recovery – Muriel Verbist by Sofie Crabbé A woman is looking at us. She stares at us. We stare back. An act we can carry out rather casually, given that we’re observing photographic portraits. The format is reminiscent of identity card photos. We see a face, shoulders, and part of an upper body. A […]
This is a fascinating and unexpected title. I suspect that some people might consider it a repeat of images that circulate through Larry Clark’s opus Tulsa, and that is not a wrong way to feel about it, but what is important is how we see the periphery of images from that incredible body of work […]
In her first book, Arbeit, Laura Bielau found monumental images of tiny things in her studio workspace. The notion of art and labor were at the fundament of the documents she produced. Everything from an empty Amazon envelope to a rubber band was magnified and challenged for their quotidian usage. Enlarged and brought into […]
How does one begin to excavate memories that lie in the distressed trough of the murder of a loved one? When he was seven years old, Jean-Michel André was staying at a hotel with his father and his father’s new girlfriend in Avignon, France, when a robbery turned into a homicide with both his father […]
Rodrigo Valenzuela has been producing incredible work for the past couple of years. I was lucky enough to get a copy of his last book, Journeyman, published by Mousse Publishing. It was my introduction to the Chilean-American’s work, and from that point, we managed to have an extensive conversation about his work for Nearest Truth. […]
Within the context of death, I have spoken about, and I am sure that I am not alone in this, the strange feeling when a person, persona, and life slip from the realm of the personable to the world of an object, a thing, a husk, though still loved, ultimately lacking the anima necessary to […]
Mikkiko Hara by José Bértolo There is no doubt that Japanese photography is fashionable right now. But what do we mean when we say, “Japanese photography is fashionable right now”? Which Japanese photography are we referring to? What vision of Japanese photography do we have? For a long time in the West, […]
Sons of the Living (Trespasser 2024) is Bryan Schutmaat’s opus. It is the summation of a decade-plus of making exceptional photographs. I have been familiar with his work for some time, and seeing his work and career grow has been a pleasure. He is also a good dude and supportive of other artists. That should […]
Bryan Schutmaat is a photographer of the American West. His work is dedicated to sites along the interstate highway — forgotten mining towns, abandoned truck stops, weathered billboards, the garbage scattered across dirt roads. What he is attracted to is the region’s extremes: the harsh desert sun, its arid fields, trash heaps of tires, the […]
Ben Millar Cole, After ‘A Sudden Gust of Wind (after Hokusai)’ (2024) After Wall: The Wood Wide Web and AI Art By Ben Millar Cole In 1993, Jeff Wall meticulously reworked Hokusai’s famous 19th century woodblock print A Sudden Gust of Wind at Ejri as a large-scale photograph, spending more than a year in […]
To understand what Jermaine Francis is about, it makes sense to pursue thinking beyond the labels we give to each other. His work is compelled by a certain kind of experience. It is an experience that I directly relate to, and this is why it was necessary to write this article and express it beyond […]