It was the best of years…. Once again it is that time of year where I try to drum up some sort of edit from all of the incredible work the photography book world offers up. This year is difficult as I felt it has been one of the strongest years in recent […]
“Guillaume Simoneau is a not a cannibal, but his book Murder (MACK), is an ode to Fukase’s legendary status and particularly his book Karasu/Ravens. Murder is a devotional hymn, or a phantom limb added to the mythology of the Japanese artist” Inherent or Mythological Propagandas One of photography’s less considered functions is […]
“The way a photographer “sees” and commits to an image is through experience. These experiences have very little to do with the camera and are built up over years of living-these experiences and the years that sponsor them are not always the glorious nostalgic highlights that we remember in their honey-dipped form, but are also formed of tragedy, comedy and a resistance to our inside force of direction”.
“Times change, we orchestrate ourselves to different locations and yet with nostalgia nothing need be lost. It can be found again. We can consider the death of an idea as being flexible to finality, but that is a different conversation”. We tend to enshrine people and ideas with a certain sense of […]
“When I consider Japanese forests, I am always distracted by Aokigahara and in doing so, I have to place our protagonist there amongst the Durkheimian realities that it ensues”. It somehow seems pertinent to have left this title too long to review having been caught in the deluge of books landing on […]
Tiffany Godoy hangs out with photographer Ren Hang. EXPLORE ALL REN HANG ON ASX
“These poor cities are nevertheless radiating vivid colours, as if bolstering up daily lives with significant visual appeal. I see their desperation to live, to the point of feeling pains. I find it enormously beautiful.”
Daisuke Yokota’s Subversive Appreciation of Time.
The subjects in Watanabe’s photographs are the prostitutes, street people, Drag Queens, entertainers and gangsters (Yakuza) that populated Kabukicho at night.
“The time when a picture is taken is like an emotion, it’s like a sexual encounter. It’s like a fuck! So, timing is very important.”
Sunless is Tiane Doan Na Champassak’s most elevated work yet. The publication itself is beautifully printed and plays with chromophilic metaphor of color in the red, white, and blue of the artist’s French half-nationality.
William Klein was invited to Tokyo in 1961, where he shot for three months and made more than 1,000 pictures.