Taka Mayumi Koisuru Toriko

  Full Article on Patreon   In Prisoner In Love, the flow is at once calm and exciting. It is similar to allowing one’s body to be carried downstream in a river safely with a bump on the body’s backside every once in a while to remind them of the rocks beneath the surface. Metaphors […]

Toyohiko Yasui One Thousand Millimeter 1973

Full Article and Full Sequence of Book on Patreon   The desire found in that book functions incredibly obliquely. Images of women do not, even when on a bed and nude, represent sex or an objectifying element; they are reduced to the same void as everything else and feel like a piece of the vortex. […]

Nobuyoshi Araki The Banquet (Shokuji)

  Full Article on Patreon   “The Banquet is a different affair built around the same context of mourning. Instead of pictures of himself or his deceased wife, Araki presents a catalog of their last meals together. The images are shot with a close-up ring flash and a short lens to give a microphotographic feel […]

Seiichi Furuya FIRST TRIP TO BOLOGNA 1978 / LAST TRIP TO VENICE 1985

Christine Gössler exists in my mind, or rather the photographs of her, as the eternal notion of elegy in the photographic medium. Whereas she does not haunt my own memories, I feel the burden and the weight of her portraits through the images shot and books made by her husband Seiichi Furuya. When I suggest […]

Maki: (A) Japan Somewhere

    Maki’s images in Japan Somewhere (Zen Foto Gallery), produced over a fourteen-year period feel anxious and compressed. Though specific to one country, the Frenchman’s images feel anything but declarative. They feel ambulatory, intrepid,  and often chaotic as if shot in a constant state of momentum and high velocity. The frames are heavily compressed […]

Kosuke Okahara Blue Affair

I do not remember the majority of my dreams. I am told that I often erupt from the fugue state of sleep in panic, screaming, and moaning. The times that I do remember my dreams, something awful is occurring in them. They seem to be hinged on the anxiety associated with flight or fight responses. […]

Eiji Ohashi: Roadside Lights Seasons: Winter

Eiji Ohashi’s Roadside Lights Seasons: Winter is deceptively simple in its approach. The main theme of the book considers a constant in the Japanese landscape through the repeated photographic investigation of its roadside vending machines. Though beautifully photographed, the book details one type of subject matter across the beautiful backdrop of Japan at night. It […]

Marco Marzocchi: How To Destroy Everything

What a strange process it is to sift through the remains of an anonymous person’s photographic trail. You look for clues of authorship, economic circumstance, and their loved ones who emerge through their images in repetition. You try to stitch together a narrative when there may very well not be one to consider. This is […]

inri: Symposion About Love 1996-2000

    The emphasis on performance or performing photography seems like a never-ending discussion. I have been looking backwards through the history of photography and can see without much difficulty that its Western beginnings are full of images that exemplify the tradition such as Hippolyte Bayard’s Self-Portrait as a Drowned Man from 1840 forward through […]

Giles Price Restricted Residence Thermal Observations

  “To call Price’s book clever would be a disservice to himself and those involved. It is brave and brilliant in its assessment of the topic and should be valued for what it is not-a rush to exploit the sensitive undergirding of tragedy as featured in the work(s) of D’Agata and others”   I am […]

Koji Kitagawa: Mapping the Technical in Dreams

Do robots dream of Black Phillip? Do artists dream in data? Does a spectre haunt the algorithm?     In a world in which we are reduced to bytes, blips, glitch and transmission, we begin to consider where the mapping of our reality in images begins. Our photographic lives are now dominated by the urgency […]

Seiichi Furuya & Christine Gössler Face To Face

  “We may consider these types of photographs as a glimpse, a grimace or a greeting between subject and viewer, nothing more”   It is hard to condense seven years of intimacy into the frames of 35mm negatives. You cannot easily graph the moments that pass between two orbiting worlds, the moments of affection, disagreements […]