Bildband Berlin: Support Photography Bookshops #3

  “I’d been playing drums in a few bands, Th’ Faith Healers and Stereolab among others, and between tours and photo jobs I’d take off on photo projects of my own, often to Berlin. Eventually I got a place in Berlin, because I realised it had a lot of what London was losing, it’s a […]

Sam Contis Dorothea Lange: Day Sleeper Then as Now and.

    History generally presents itself to the future in visual terms that signify the distance between the two points of time from its creation and its re-purposing and its re-examination. The fallacy in photographic terms of historical representation and its distribution of intent are intertwined between reason and audience over the passing of linear […]

Federico Clavarino Interview: Hereafter, Escaping Nihilism

  Editor’s Note, This interview was conducted over the period of months. Federico and I would ping pong ideas back and forth. Being a busy artist, Clavarino had already moved into several different territories from my principal point of trying to tackle Hereafter, his great opus about power, family, archive and how history is activated […]

Indexing the Execrable: Stefan Ruiz’s Mexican Crime Photographs

“Here he has collected thieves and murderers, but mostly thieves. Los Ladrones. Sticky fingers”. Mexican Crime Photographs from the archive of Stefan Ruiz With dry and flaking fingers, the man combs over the contents of a shoe box full of rusty paperclips and tattered and some odorous pieces of paper featuring young men, so many […]

Suzanne Perrottet: A Fragmentary Discourse of Bodies in Subtle and Grotesque Exertion

“Perrottet was an obsessive recorder of the physical possibilities of the human body, from its most subtle gestures to its most grotesque exertions”.   By Eugenie Shinkle, ASX, May 2015 When dancer Suzanne Perrottet died in 1983, she left behind an extensive archive. Amongst the notes, letters, documents, and photographs were a number of banana […]

LARRY SULTAN & MIKE MANDEL: “EVIDENCE”

  From 1975-1977, Larry Sultan and Mike Mandel selected photographs from a multitude of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources from which they were mined.  The project, “Evidence”, was funded by a grant from the National Endowment for the Arts, and was one of […]