Hermann Heisig: Timing

I was sent this lovely book about the choreography and performance art of Hermann Heisig by Spector Books, one of Germany’s finest publishers, at the suggestion of their team. I tend to value suggestions like these from a publisher known for a wide output, as they offer a thoughtful dialogue between parties. I get to […]

Ruth Lauer Manenti 4 Sides of the Table

It is hard to deny the strange feeling of sharing a room with one of your loved ones who has passed on. The implicit silence is an acknowledgement of toil’s end, though at the time, the personal trauma overtakes this thought in the mind of the living. It casts small echoes. Of course, there is […]

Felipe Russo Lugar Dito

What to do with the business of time? From 2020 to 2023, we were forced to face this question by the global pandemic. It will forever mark generations of people in the 21st Century by its unnerving qualities, its obvious malady, and, more to the point of this conversation, what we were meant to understand […]

The Blueprints of Robert Rauschenberg & Susan Weil

The cyanotype is a very flexible process developed from water. One paints or layers ferric ammonium oxalate and potassium ferricyanide on a substrate, usually paper, but also fabric. One then exposes a negative or an object to direct sunlight. After a test has been made, the print is washed in water, revealing a beautiful Prussian […]

Hajime Kimura’s “Family of Lies” and “Tebajima”

Photography has always had a complicated relationship with memory. It promises to hold on to moments, but it also shows how unreliable memory really is. This tension runs through two recent photobooks by one of the most interesting Japanese photographers working today. Family of Lies (Three Books, 2024) and Tebajima (Kawazu Kikaku, 2024), by Hajime […]

Christine Furuya-Gössler Photographs (1978-1985)

The fever dream that never ended. The late Christine Furuya-Gössler is one of the more complex icons in photographic history. Her face is recognizable at a distance, and numerous exhibitions and books have been made about her and her family, mostly by her husband Seiichi Furuya, a Japanese photographer living in Austria. What makes her […]

Anna Galí Time on Quaaludes and Red Wine

Anna Galí’s book makes me sick. It makes me sick with pain as the father of a young boy whose interior world I think I understand, but, in reality, can probably only guess at, and this will only get more pronounced as he breaks from adolescence into young adulthood. I feel enormous pain when I […]

Julia Mejnertsen – HUN

I sometimes wonder how much room there is for careful debate and an effort to understand what happens around us – positions and outrage are usually quite fixed. Recently, I have been looking out for photographic work that attempts to complicate seemingly simplistic arguments or binary oppositions through approach and practice. This review is the […]

Ricardo Tokugawa Utaki

  I have just returned from a workshop trip from São Paulo, Brazil, a vertiginous and bustling city. My experience in returning from the city has been marked by an extended rumination on my experiences there. I am still processing the city, its architecture, and its artists whom I was very fortunate to meet in […]

Interview With Andi Gáldi Vinkó

Artist-photographer Andi Gáldi Vinkó turns her lens on the raw, often overlooked facets of pregnancy and early motherhood. In this interview, she discusses her photobook Sorry I Gave Birth I Disappeared But Now I’m Back and explains how her candid — sometimes subversive — images dismantle stereotypes while illuminating the everyday experiences and unspoken struggles of maternal […]

Kristian Krän – La Soufrière

  What we do not talk about, dare to concern ourselves with, or pay much attention to are the men who fall through the cracks toward the end. We are happy to discuss the problems associated with masculine behaviour. Yet, we can’t imagine a discussion about men left wandering by their own devices or by […]

Debsuddha Crossroads

Othering, debated through the discourse of reading the camera as a difference machine, seems at the crux of much of photography’s woes. Challenged by the notion that the machine is neutral in its observational and technical ability, the authorship and cultural means of producing images are undergoing a fruitful re-assessment of its terms to represent, […]