Nearest Truth Workshop Feature Efi Haliori

This begins a series of posts that examine the work of participants and instructors that have featured in the ASX/VOID workshops from 2019 and will now be used to illustrate the Nearest Truth Workshops taking place in Athens in November of 2019.     Nearest Truth is a podcast devoted to photography and culture at […]

Guido Guidi Cinque Viaggi 1990-1998

  Guido Guidi’s photographs emanate from concerns that underpin a long tradition of art in Italy. While most of his images are consultations of place and perspective, the larger considerations for his work examine a minute rendering of color palette, shadow, and subscribe to a cornucopia or semi-neutral examinations of “the moment”. These images, in […]

Paul Graham Beyond Caring

  Despite my years of thin gruel during my time in London, I count myself as lucky for being able to divide my time there into simply “getting by” and avoiding bureaucracy. I have little talent for the regular custom of monthly, let alone weekly subscription to anything in which demands of my time are […]

Michael Kerstgens 1986

  There are global moments in history that feel like tipping points of major changes when you view them retrospectively. In the case of Michael Kerstgens exceptional new book 1986 (Hartmann Books, 2021), the writing on the wall could not be more clear looking back at the year. I remember 1986. I am old enough […]

Max Sher Palimpsests

  Though change is metered through the concept of progress in urban space, oftentimes there is an arrestation of form as its transitions from one set of facades to its new progressive and updated counterpart. This arrestation sees the hybridity of new and old caught in a transitional moment in which both are vying for […]

Daniel Stier: A Tale of One City

In 79 a.d, Mount Vesuvius erupted with a volcanic activity that completely destroyed the Bay of Naples region including the small, but thriving community of Pompei. Pompei was a Roman enclave like most at the time. It had markets, homes, and open-air theatres that featured beautiful mosaics, Roman sculptures and was situated close to the […]

Maki: (A) Japan Somewhere

    Maki’s images in Japan Somewhere (Zen Foto Gallery), produced over a fourteen-year period feel anxious and compressed. Though specific to one country, the Frenchman’s images feel anything but declarative. They feel ambulatory, intrepid,  and often chaotic as if shot in a constant state of momentum and high velocity. The frames are heavily compressed […]

Anne Immelé Oublie Oublie

Anne Immelé’s Oublie Oublie is a book about a transitional time and place. Between 2019 and early 2020, the French artist surveyed municipal works and changes in the neighborhood of Le Nouveau Drouot in Mulhouse, France where she lives and teaches photography. The urban environment of her images suggests the 1950s’ and 60’s city planning […]

Interview: How To Look Natural in Photos

    An Interview between Zak R. Dimitrov, Beata Bartecka, and Łukasz Rusznica regarding their book How to Look Natural in Photos Palm* Studios and OPT.     How to Look Natural in Photos is a functional, yet very aesthetically pleasing book. It examines the way photography operates as a mechanism and a tool for […]

Thana Faroq: I Don’t Recognize Me in the Shadows

Thana Faroq’s I Don’t Recognize Me in the Shadows is a book of complicated subjects. First, there is the subject at the heart of it all, namely Thana and her experience as a Yemeni Refugee who found her way to the Netherlands through the gruelling and heart-wrenching ordeal of leaving her family in Yemen where […]

Keld Helmer-Petersen Photographs 1941-2013

Keld Helmer-Petersen is predominantly associated with the early use of color photography as an art form. His book 122 Color Photographs self-published in 1948 is considered a pioneering photobook for its use of color though it makes up a very marginal amount of the artist’s entire body of work.     Keld Helmer-Petersen’s concerns in […]

Massimiliano Tommaso Rezza PSALM

I think of Massimiliano Tommaso Rezza’s process as being a dislocated type of photographic practice. His work functions on the viewer being able to unlock parts of his cryptic use of images, but never all. One is asked to recognize inherent photographic themes and usages, but it is very difficult to place an exacting context […]