An interview with the Kentucky-born photographer Stacy Kranitz about the seven years she’s spent documenting life in rural Appalachia. Interview & editing by Zach Goldhammer Photography & narration by Stacy Kranitz
Bertien van Mannen’s “Beyond Maps and Atlases” is a composition of dis-rhythmic proportion. Her investigation into the Irish landscape is not so much depressing as it alludes to the bittersweet.
I’ll Write Whenever I Can, Koobi Fora, Lake Rudolf, 1965 @ Peter Beard Andy described him as – “one of the most fascinating men in the world …… he’s like a modern Tarzan. He jumps in and out of the snake pit he keeps at his home. He cuts himself and paints with the blood. […]
Excerpt from Popular Photography, August 1995 Q: When did you get the original assignment to photograph the drug scene? A: I made a trip to Detroit for Life in the late 1980’s to research the drug problem. It went badly. I couldn’t get anyone to help me break into the downtown Detroit scene. When I […]
War is a huge, infernal industry, the largest one on this planet. It seems presumptuous for one man to attempt to stand in the way of this machinery. Once war has broken out, everything spirals out of control almost immediately, turning even the armies and the soldiers who fight in it into helpless onlookers, victims of their own […]
Ponte City came to stand for urban decay and criminality, and in some of the more right-wing imaginings, as a symbol of the failure of black majority rule.
Cummins Prison, 1975 “Always when I went to prisons before they would say, ‘Do you want to see death row? Do you want to see the electric chair?’ I always said no. I didn’t want to see the electric chair because I figured it was just a voyeuristic trip.” By Geoff Kelly Bruce Jackson […]
For nearly 200 years, Northeastern Philadelphia had treated its surrounding mentally ill citizens “to keep them off the streets” because they caused “terror among their neighbors.”
Evans shows the south as part of the rest of America, falling behind itself and failing in the everyday struggle against entropy. By Owen Campbell, ASX, April 2015 There is in McNair Evans Confessions for a Son a sense that time passes slow and lonely, a stillness manifest in an image of a hound weighted […]
Kiki Pays Debt, Room 123, Travelers Motel, Modesto, CA, 2013 © Katy Grannan, courtesy Fraenkel Gallery, San Francisco The Nine is a place, like the doldrums of the ocean, where people who find themselves lost and left behind spend their days and nights. By Owen Campbell, ASX, March 2015 California’s central valley is […]
“A lot of the language surrounding Songbook is about community and American culture…and that stuff’s in there, but actually what I wanted to do with it is talk to something more primal, more internal, and more about the human condition than the American condition. It’s the great problem of consciousness.” —Alec Soth Alec Soth […]
Video by Jim Goldberg and Brandon Tauszik Produced by Sprinkle Lab Courtesy of the artist and Pace/MacGill Gallery, New York Eric William Carroll: Chicken (Inspired by Jim Goldberg) “Choose a person, preferably a stranger, to make a portrait of. After securing their permission, begin photographing them. Ask them to try a few poses, move the […]