Lee Friedlander: “The New Cars 1964” (2011)

  In 1964, two young art directors at Harper’s Bazaar named Ruth Ansel and Bea Feitler hired the then up-and-coming photographer Lee Friedlander to photograph the much-anticipated new car models of that year. Friedlander’s jazz album covers had proven he knew how to work on assignment, and Ansel and Feitler realized that if Bazaarwas to […]

JEAN-MICHEL BASQUIAT

Notes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat – “Graffiti Wall – At Work in the Street”David LaChapelle on Keith Haring, Andy Warhol, Jean-Michel Basquiat and ‘The Dark Ages’

FRANCIS BACON

‘Mess-aesthetics’ and Absurdist Life Collages in Beni Bischof’s ‘Psychobuch’Francis Bacon on ‘Three Studies of Lucian Freud’Francis Bacon – “Survey”Francis Bacon and ‘Narrative’, the Natural Enemy of VisionASX.TV: Francis Bacon – “A Terrible Beauty”The Last Francis Bacon Interview – On Violence, Meat and PhotographyFrancis Bacon on Violence, Suffering and Painting for Himself

Joel Sternfeld – ‘American Prospects’ (2012)

  It is about a country convinced of its independence and freedom, but that when photographed appears chained to a set of principles and dreams powerfully manifested in its architecture and in the lives its people have chosen to lead.   The Dreams of Some By Paul Loomis, December, 2012 It is written in the […]

JOHN BALDESSARI

Bruno V. Roels Interview: A Palm Tree is a …John Baldessari – “A Brief History of John Baldessari” (2012)John Maclean: The Agony and Ecstasy of Artistic InfluenceJohn Baldessari – “Studio Visit”

TREVOR PAGLEN

Max Pinckers Interview: On Speculative DocumentaryTrevor Paglen – Artist and Geographer | 2017 MacArthur FellowA Conversation With Salvatore Vitale: Security is Hereditary?

A Statement by Robert Frank (1958)

With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. By Robert Frank, U.S. Camera Annual, p. 115, 1958 I am grateful to the Guggenheim Foundation for their confidence and the provisions they made for me to work freely in my […]

Child’s Play in Helen Levitt’s Early Photographs (2009)

By focusing her lens specifically on the urban street child, Levitt revived an iconographic tradition that gained significance in nineteenth century realist traditions concerned with the fate of the urban poor.   By Elizabeth Gand, “Child’s Play in Helen Levitt’s Early Photographs” “The unconscious obsession we photographers have is that wherever we go we want to […]

DIANE ARBUS: “V&A’s Diane Arbus ‘Revelations’ Q&A” (2005)

This is an abridged transcript of an online chat session, hosted by V&A Photography Curator Martin Barnes, which took place on Friday 21 October 2005. 2005-10-21 13:56:23 VAModerator Welcome to the V&A’s Diane Arbus Revelations chatroom. Photography Curator Martin Barnes is here to answer as many of your questions as he can. 2005-10-21 13:57:42 MartinBarnes […]

WOLFGANG TILLMANS

Wolfgang Tillmans “Neue Welt (New World)” (2012)Wolfgang Tillmans – “Interview” (1996)Wolfgang Tillmans and His (Almost) All Consuming EyeIMMA presents Wolfgang Tillmans Rebuilding the FutureWolfgang Tillmans – “MAVI Exhibition” (2013)Wolfgang Tillmans – Turner Prize Chat Transcript (2000)Wolfgang Tillmans: ‘2017’ at Tate ModernRussell Ferguson on Wolfgang Tillmans (2005)Peter Piller: Unheimlich As Above…