Laurenz Berges 4100 Duisburg

    In reading Darius Khondji’s interview with American Cinematographer Magazine from November 5th, 2018 regarding his cinematography work on various films, including David Fincher’s epic noir Se7en (1995), I am reminded of the significance that color balance plays when sculpting atmosphere in a film and also in a photographic body of work. In regarding […]

Michael Gessner’s Masse

  The age of capital has led civilization to the age of indeterminate surveillance. We are largely unaware of the incremental prying and scrutinizing gestures that global capital has beset upon us. We believe that surveillance, both state and capital are symptoms of our buying patterns in the very least and are maximized by our […]

Laura Bielau Arbeit 2016-2019

  Laura Bielau’s Arbeit 2016-2019 (Spector Books, 2021) is a stripped-back and minimal series of investigations that regards the environmental working effects and detritus of art labor in 2021. Though the aims are not overtly class-oriented or political, they function as a personal case study between the artist and the alien consumer objects that become […]

Guido Guidi Cinque Viaggi 1990-1998

  Guido Guidi’s photographs emanate from concerns that underpin a long tradition of art in Italy. While most of his images are consultations of place and perspective, the larger considerations for his work examine a minute rendering of color palette, shadow, and subscribe to a cornucopia or semi-neutral examinations of “the moment”. These images, in […]

Jardín de Mi Padre: An Interview with Luis Carlos Tovar

The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his fingers are only a few centimeters away. Time is […]

Erik Gustafsson This is Farewell

The term family is a loaded concept. It suggests something intimate and forged of a bond that is hard to break though it can be called into question. It never feels like a neutral term. From its earliest days, photography has made use of subjects closest to the operator. Photographing children, partners and  parents is […]

Jon Cazenave Galerna

I don’t know if I believe that photography can define a people or a nation adequately, so I surmise that its best course of action is to speak about these topics in metaphor as if an attempt at truth will not be tolerated by observers from a secondhand accounting. It seems as though a majority […]

Bill Henson – Sic Transit

Synaesthesia is a condition present in between 2 and 4% of the world’s population. Its literal translation is “joining of the senses” and this is exactly what it means – the combination of visual cues with, for instance, auditory or olfactory sensation. Some people would see the number 4 as always green, no matter the […]

A Conversation Between Robert Morat and Matteo Di Giovanni

RM: What is “home“ to you? Maybe also talk about where and how you grew up and where you feel your roots are. MDG: This is a question I’ve been asking myself many times in the last few years and – to be frank – I still don’t have a definitive answer. I’m more prone […]

Giles Price Restricted Residence Thermal Observations

  “To call Price’s book clever would be a disservice to himself and those involved. It is brave and brilliant in its assessment of the topic and should be valued for what it is not-a rush to exploit the sensitive undergirding of tragedy as featured in the work(s) of D’Agata and others”   I am […]

Francesca Todde: A Sensitive Education

  “If one day we reduced our bestiary knowledge to flight, I would wake to a world brimming with potential calamity”   It is possible that I have not met the right type of bird. I will admit a deep distrust with their whole phylum. If one day we reduced our bestiary knowledge to flight, […]

Broomberg & Chanarin The Late Estate

“Something about our goodbye will always scratch like an infected nipple under a peasant’s burlap shirt. How else to carry these potatoes?”   I will freely admit that I am questioning to myself whether you are worth more to me dead or alive. Of course, this is mostly due to the uncomfortable feelings of loss […]