Dennis Stock: Once Upon A Time in California

“Photographs make up the vast majority of how we consider the narrative of California in the late 60’s and early 70’s and Dennis Stock’s California Trip exemplifies the condition for how we examine our historical memory and consciousness of the period”.

Robert Adams on Working at Home and Photography as Metaphor (2009)

“By definition art is not propaganda; the goal is not to excite people to action but to help them find a sense of wholeness and thereby a sense of calm.”   Excerpt from a 2014 Hasselblad Award chat transcript Question: Congratulations! You have been taking pictures of the American West for four decades now. Why […]

Andreas Gursky and ‘The Iron Cage of Boredom’

The Rhine II, 1999 There is something very straightforward about Andreas Gursky’s photographs. It is as though he holds up a peopled landscape or a building or a workplace for our inspection, saying simply, ‘here it is’.   The Iron Cage of Boredom By Julian Stallabrass There is something very straightforward about Andreas Gursky’s photographs. […]

Lewis Baltz on ‘New Topographics and Exhibition ‘Remakes’ (‘A Very Bad Idea’)

39, WEST WALL, SMICOA, 333 MCCORMICK, COSTA MESA © LEWIS BALTZ, IP 39, FROM THE SERIES “NEW INDUSTRIAL PARKS, NEAR IRVINE, CALIFORNIA”, 1974; STEIDL   Interview (excerpt) with Lewis Baltz Conducted by Matt Witkovsky At Baltz’s home in Paris, France. 2009 November 15-17 MR. BALTZ: You aspire to making something – at least at the time, […]

Lee Friedlander: “The American Monument” (1976)

Vince Aletti describes The American Monument as “almost maniacally inclusive, rounding up everything from Plymouth Rock to a plaque commemorating the Pony Express in Salt Lake City and treating them with the same nonchalance. The doggedness of Friedlander’s quest is at once astounding and hilarious… History stalks the landscape at every turn.” The American Monument. […]

Bruce Gilden – “Detroit: The Troubled City” (2009)

By Bruce Gilden My work on foreclosed homes in Detroit has actually been a continuation of a project that started in Fort Myers, Florida in September 2008. For me the major concentration of the work is on the houses or what’s left of the houses. I chose to photograph them mostly straight on like my […]

Interview with Lewis Baltz (2009)

“If you wanted to work in the vein of Walker Evans, you could do very well at Yale. But if you didn’t want to do that, you were just – you’re kind of left alone.” – Lewis Baltz   Oral history interview with Lewis Baltz, 2009 Nov. 15-17 An interview of Lewis Baltz conducted 2009 […]

A Conversation with Camilo Jose Vergara

Ransom Gillis Mansion, Alfred at John R Streets, March 2001 “America was supposed to be a country of big buildings, of ever-growing construction of roads, and stuff. And it is; and it is. But in addition to that, there is another America that has all of these things left behind.” Conversation with Ilan Stavans and […]

A Conversation Between Lewis Baltz and John Gossage (2010)

“For me the word ‘photographer’ talks about the means of delivering certain kinds of information, feelings and such. If you’re consistently focused on the means of delivery, it means you’re not getting the message across very clearly.” – John Gossage   Interview by Monte Packham Lewis Baltz and John Gossage depict man’s contentious impact on […]