I am incredibly biased as I write this. I share a close connection with the artist Pieter Hugo through our Nearest Truth workshop programming. Although it might seem counterintuitive to the points I will raise subsequently, I have had a chance to hear Pieter talk about his work in detail, with all the challenging […]
I get a rapturous effect when I search through early twentieth-century illustrated books on archaeology. I know that it is a relatively niche endeavor, but there is something otherworldly about the effort that allows my imagination to stir in ways that are not easy to equate. Some of this is because the images are fantastical. […]
A perplexing book, Vittorio Mortarotti’s new publication Soil, released this year by Skinnerboox, hints at, amongst other topics, lives lived at the margins of political existence. It does this without ever pushing an obvious agenda or confirming the bias. Throughout the book, certain themes recur. There is a specific anti-narrative device at play […]
Putting my thoughts on this book together has taken me a while. Most of this comes down to trying to understand how I feel about the subject or lack of subject within the work and the position of the author(s) to that. I often have a knee-jerk reaction when it comes to people photographing […]
Kim Thue from Lode Image is contained in the press pack. Full Article on Patreon I also believe artists should be open to dialog. Not every conversation is an inquisition, and if your intentions are not poor, we all gain in you underscoring your thoughts instead of hiding from them or our questions. Many […]
“Ractliffe’s work, whether consciously or not, emerges at a time when the impossibility of representing experience started to gain purchase in discussions around the medium’s shortfalls.”
Thana Faroq’s I Don’t Recognize Me in the Shadows is a book of complicated subjects. First, there is the subject at the heart of it all, namely Thana and her experience as a Yemeni Refugee who found her way to the Netherlands through the gruelling and heart-wrenching ordeal of leaving her family in Yemen where […]
“Are classifications necessary? What are there limits? Who can photograph who and what? “ I am always curious by what we consider the exotic in photographs. I often find myself thinking of the vestigial media forms of the past- all the inconsistencies, problematic discourses, and general selling of anything “other” in photographs, magazines and […]
“Krijno’s images are threaded through with references to South Africa’s colonial history and its fragile post-apartheid democracy.”
“There is noise, distortion, grain and the magnetic tape in my mind completely fails in parts to distribute any information at all. The images are dark, stained by the passing of time and the incredulous weight of dry heat. Throughout the song “Blackened” by Metallica plays over and over…” When I look at […]
Fons Americanus is a 13-metre tall working fountain inspired by the Victoria Memorial in front of Buckingham Palace, London. Created by artist Kara Walker for the 2019 Hyundai Commission, it is one of the most ambitious installations in Tate Modern’s Turbine Hall to date. Rather than a celebration of the British Empire, Walker’s fountain explores […]