Tenzing Dakpa: The Super-familiarity of Home

“This is a so much about family that the idea of the hotel and its function as the construction and as a dwelling for temporary accommodation, reflected through the blueprint cover and letterheaded endpapers is anything but the impersonal experience of temporary lodging.”

Khadija Saye: In this Space…

“Through connections to her family, dual religions, rituals and historic re-interpretations she staged herself in performative postures, using dress and ritualistic objects to perform specific rites or ceremonies for the camera.”

Fernweh: An Interview with Teju Cole

“I proceed in conversation with the camera, with other photographs, with other photographers, I forget about what writing can do, I think about what photography can do.”

Sohrab Hura: A Carnival of Violence and then a Volta

“I felt ambivalent about what was unfolding but in the end, the psychic energy and latent subtext, prefaced by a short story involving a headless woman, a bird and a photographer was too compelling to dismiss.”

Guy Tillim: Things Come Together

“It is this binary position that implies the view that African colonization created only victims incapable of looking after themselves, impotent against their oppressors and incompetent without.”

Akram Zaatari: Performing the Archive

The digital image is an image file. It has no form and is invisible until it gets interpreted and transformed by software or the internet user. In the process of being made visible it is staged or performed.

Felicia Honkasalo: Objects and Ontologies

“What is held onto through a photograph, is no longer the disappearing object itself but something that appears or becomes visible in the moment of its vanishing: as it were, the last glance that it casts at us, or the last glimpse of it that we can catch.”