Revisiting Claudia Andujar with Marlaine Glicksman

“Photography is the process of discovering the other and, through the other, oneself. Intrinsically, that is why the photographer seeks and discovers new worlds but in the end always shows what is inside himself.” —Claudia Andujar   As a child, Claudia Andujar laid awake and listened silently for the spirits the servants were certain inhabited […]

Matthew Genitempo: The New Rurality

“Instead, we are given room to ponder the possibility of the magnificent rurality that exists in wide acreage across America unfettered by the charms of free-range, gluten free, soulless vegan cafes and their elite black metal-listening clientele who wander through their doors to write tracts on their apple laptops about metaphysical post-Internet garbage for their PHD colluding with the empire of property developers and poverty to Make Harlem Great Again- Incel, Duracell, creatine cookies and a very nasty reputation for not saying hello”

Donovan Wylie & Jim Goldberg: Candy & A Good and Spacious Land Interview

“I had this image that the Colt ’45 was made in, say, Colorado, but no, it was made in Connecticut to conquer Colorado, to win the West.  So that opened up a way of looking at American history that I wanted to pursue:  ideas of westward expansion and the architectural structures of the gun factories with their strong pillars to hold all the machinery and gear; that talked about weight, and Empire.  But the factories were all in ruins and I couldn’t work with that, visually”. –Donovan Wylie

Anthony Hernandez Interview: Forever

“I went down there and saw all these little paintings of landscapes, houses, little beautiful scenes. The light on that picture is from reflections of cars going underneath the freeway. The whole roll was faint, faint, faint. And then there was the clown. There are so many places like this, it goes on forever.” On […]

John Maclean: The Agony and Ecstasy of Artistic Influence

“In a sense I was trying to complete a circle: I travelled to the neighbourhoods that had some bearing on the childhood development of my art-heroes and consequently on the art they made as adults, and then I tried to photograph these places through the ‘afterimage’ of the artistic influences these works had imparted on me”