Robert Frank’s “From the Bus” (1958)
In the summer of 1958, several months before The Americans made its debut in France, Frank began experimenting with moving pictures.
In the summer of 1958, several months before The Americans made its debut in France, Frank began experimenting with moving pictures.
In the summer of 1958, several months before The Americans made its debut in France, Frank began experimenting with moving pictures. But before turning wholeheartedly to filmmaking, he made another series of still photographs, From the Bus. After the unparalleled freedom of the Americans project, Frank vastly restricted his point of view by shooting these […]
“In Butte, Montana, he photographed a slovenly, middle-aged woman in her car with a sullen child staring out of the window behind her. He showed a bench full of decrepit old people in St. Petersburg, Florida, staring at nothing in particular while a shiny new Pontiac whizzed by on the street behind them.” By […]
From Park / Sleep by Robert Frank published by Steidl www.steidl.de Robert Frank – Park/Sleep – REVIEW By Fanny Landstrom for ASX, July 2013 Many of us carry a notebook in our pocket, or an iPhone at least, where we might collect our thoughts, photographs, and pieces of reading that we pick up along the way. […]
(All rights reserved. Images @ Robert Frank)
I saw it I suppose very shortly after it was published, when I was still working as a photographer myself, and it was, frankly, shocking. I sensed the power in it, and the authority about it but there was much about it that I didn’t like… The Americans was received with mixed critical reaction. Not […]
‘”There is one thing the photograph must contain, the humanity of the moment” – Robert Frank REVIEW: Robert Frank – Valencia 1952 (2012) By Fanny Landstrom, ASX UK, April 2013 In 1952, the Swiss born photographer Robert Frank leaves his job and his then current habitat New York to travel with his family […]
Director Gerald Fox’s documentary Leaving Home Coming Home: A Portrait of Robert Frank features intimate interviews with the filmmaker and photographer. The artist discusses his feelings about how his adopted hometown of New York City has changed over the course of his 50 years living there. The director showcases Frank’s work, including clips of some […]
“It was logical for me to get off doing still photography after becoming a success at it. I think it would just become a repeat—I would repeat myself.” An interview with Robert Frank, from one of ten symposiums at Wellesley College 1977 called “Photography within the Humanities”. Robert Frank: I’m just trying to, as they say, […]
With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. By Robert Frank, U.S. Camera Annual, p. 115, 1958 I am grateful to the Guggenheim Foundation for their confidence and the provisions they made for me to work freely in my […]
Sick of Goodby’s, Mabou, 1978, Robert Frank Paint dripping from a mirror like blood. I’m sick of goodbyes. By Lou Reed, originally published in Tate Magazine, Issue 2, Autumn, 2004 I was looking at Robert Frank’s photograph Sick of Goodby’s in his book The Lines of My Hand. Moments before I had been […]
Robert Frank in ‘Home Improvements’ Interview with photographer Robert Frank, Film Comment, August 1987 By Marlaine Glicksman “I’d like to make a film which would mingle the private aspects of my life with my work, which is public by definition… how the two poles of this dichotomy join, interlace, are at variance , and fight […]