Wolfgang Tillmans: ‘2017’ at Tate Modern
“Certainly, Tillmans is enormously curious, yet his works offer surprisingly little insight. All is surface and rarely is it scratched”
Search Results for: eggleston
John Maclean: The Agony and Ecstasy of Artistic Influence
“In a sense I was trying to complete a circle: I travelled to the neighbourhoods that had some bearing on the childhood development of my art-heroes and consequently on the art they made as adults, and then I tried to photograph these places through the ‘afterimage’ of the artistic influences these works had imparted on me”
Brad Feuerhelm: Photography Class of 2016?
“you think…”Well Sweetheart if you don’t want to hear this …Why the fuck are you here in the first place? Go forth and make your way towards the golden honey pot of money and museum exhibitions, you terrible fuck”. Don’t let me stop you or waste my time with your bullshit. Seriously”
David Brandon Geeting: Everything is Nature
“He plays with the disruption in the aesthetic surfaces of our daily life and this allows him (and us) to experience a reality which might be bypassed.”
An Endless Golden Carefree Summer – on Maude Schuyler Clay’s ‘Mississippi History’
“Many photographers focus on capturing their loved ones, but it is difficult to give such portraits a universal dimension so as to be interesting to a larger audience than the immediate circle of friends and family”. By Karin Bareman, ASX The first image in Maude Schuyler Clay’s Mississippi History that mildly piqued my interest is […]
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[ultimate_heading main_heading="William Eggleston" alignment="left" main_heading_font_family="font_family:Roboto|font_call:Roboto" main_heading_font_size="desktop:36px;" main_heading_line_height="desktop:50px;"][/ultimate_heading] William Eggleston: Who’s Afraid of Magenta, Yellow and Cyan?William Eggleston: Introduction to ‘Ancient and Modern’ (1992)William Eggleston: Preface from Election Eve (1977) [ultimate_heading main_heading="Diane Arbus" alignment="left" main_heading_font_family="font_family:Roboto|font_call:Roboto" main_heading_font_size="desktop:36px;" main_heading_line_height="desktop:50px;"][/ultimate_heading] Diane Arbus: “Essential Mysteries (Excerpt)” (2011)Notes from the Margin of Spoiled Identity – The Art of Diane Arbus (1988)Diane [...]
[rev_slider_vc alias="top-picks"]The Latest Explore the latest from ASX. Essays, Reviews, Interviews, Galleries and ASX.TV Bas Losekoot Out of PlaceThe Mindfulness of Death: Deanna Dikeman’s Leaving and WavingAnton Roland Laub Last Christmas (of Ceaușescu)Carl Bigmore Between Two Mysteries Explore All Articles Featured Artists Interviews, Essays, Galleries, reviews and videos, organized by artist. WINOGRAND EGGLESTON ARAKI TILLMANS [...]
Paris, Texas, Distance and Almost No Humans in Wim Wender’s ‘Written in the West’
There are almost no humans in Wender’s photos. I almost forget there’s a human behind the camera in a way that would never happen with other road trip photographers.
Debt, Failure and Truth Seeking – McNair Evans ‘Confessions for a Son’
Evans shows the south as part of the rest of America, falling behind itself and failing in the everyday struggle against entropy. By Owen Campbell, ASX, April 2015 There is in McNair Evans Confessions for a Son a sense that time passes slow and lonely, a stillness manifest in an image of a hound weighted […]
Joel Meyerowitz @ KUNST HAUS WIEN (2015)
Joel Meyerowitz became famous as central protagonist of New Color Photography in America during the 1960s and 1970s, next to William Eggleston and Stephen Shore. His extensive retrospective at the KUNST HAUS WIEN. Museum Hundertwasser in Vienna, Austria presents the photographer and the major, multi-faceted oeuvre he created over the course of 50 years.
Cataloging Desire and a Reluctant But Necessary Eulogy in ‘Russian Interiors’
To say these images are erotic would be a mistake; they are a more like a self-enforced catalogue of sexualized ego pandering. By Brad Feurehelm, ASX, December 2014 Andy Rocchelli’s “Russian Interiors” is first and foremost a beautifully realized book by Cesura Publishing. The tactile quality of the raised floral cover and the lifted […]
Interview with Lewis Baltz (2009)
“If you wanted to work in the vein of Walker Evans, you could do very well at Yale. But if you didn’t want to do that, you were just – you’re kind of left alone.” – Lewis Baltz Oral history interview with Lewis Baltz, 2009 Nov. 15-17 An interview of Lewis Baltz conducted 2009 […]