Daido Moriyama: Investigations of a Dog (1999)

 Stray Dog, Misawa, Aomori (1971)   Moriyama is conspicuous for the brutality with which he distorts photographic description: his pictures are sooty with grain, blotchy with glare, often out of focus or blurred by movement, often defaced by scratches in their negatives.   By Leo Rubinfien, October, 1999 The photographer Daido Moriyama, whose first U.S. […]

KEIZO KITAJIMA

A leading figure in the rise of Japanese photography in the 1970s and 1980s, Kitajima (b .1954, Suzaka, Nagano) first came to be known for his grainy black-and-white shots of people on the streets of Tokyo, at an American military base in Okinawa after the end of the Vietnam War, and in New York. Daido Moriyama, with whom Kitajima first studied photography, praised his talent as a gifted snapshooter by calling him ‘a street killer in broad daylight.’

Fumitsugu Takedo – Ambience Decay

  I feel slightly guilty posting this as I know by the time you read it, that it will be improbable you will find a copy as there are only 50 copies in the edition. Hopefully, it will inspire the publisher Photobook Daydream Editions to consider publishing more, as Fumitsugu Takedo’s Ambience Decay is one […]

Trent Parke – Monument

  Ruptures and Raptures   It is hard to know where to start writing about a book with such ominous tendencies at its heart. Monuments by Trent Parke, published by Stanley/Barker in 2023 and its third printing in spring 2024, has a doomsday proximity to it. It is hard to explain why I feel this […]

Five Photobooks from 2023

For the complete list, please consult the Nearest Podcast in the following weeks, where I will MC over a much longer list of the great books published this year. For this list, I wanted to keep the books down to five that I feel will define the artist’s career or are crucial to the medium. […]

Maki: (A) Japan Somewhere

    Maki’s images in Japan Somewhere (Zen Foto Gallery), produced over a fourteen-year period feel anxious and compressed. Though specific to one country, the Frenchman’s images feel anything but declarative. They feel ambulatory, intrepid,  and often chaotic as if shot in a constant state of momentum and high velocity. The frames are heavily compressed […]