INTERNET GOTHIC in Doug Rickard’s ‘N.A.’

 XZc7w, 2011 @ Doug Rickard   Horrorcore, a sort of contemporary American gothic, with all the inherent inversion of values.   INTERNET GOTHIC and Transcendentalism in the Age of Mechanical Reproduction By Owen Campbell, ASX, January 2015 In the preface of National Anthem Doug Rickard quotes Walt Whitman; in the coda he quotes Woodie Guthrie. […]

A Multiplicity of Femininities in Flux in Schorr’s 8 WOMEN

A multiplicity of femininities in flux in Schorr’s 8 WOMEN By Charlie Tatum, ASX First things first: Collier Schorr’s 8 Women is strikingly beautiful. It’s comprised of thirty-two luscious, yet minimally styled, fashion shots of models, artists, and Schorr’s friends, culled from the past twenty years of her career. Many were snapped at hired shoots, […]

INTERVIEW: Dan Solomon – “Witness” (2013)

  WITNESS, an installation by Dan Solomon, In conjunction with ICP’s exhibit “JFK November 22: A Bystander’s View of History. Interview by Raphael Shammaa, November 2013 Shortly before 9:00 AM on November 23rd, as New Yorkers prepare to settle at their desks for the day, I meet with Dan Solomon for a tour of his photographic […]

Petite and Magical, Luigi Ghirri’s: ‘Kodachrome’

For Ghirri, the world was a labyrinth and making pictures was a means of “tell[ing] the real identity of man, of things, of life, from the image of man, of things of life.”   By Vladimir Gintoff, ASX NYC, March 2013 In 1935 Eastman Kodak introduced Kodachrome. A film stock praised for its idiosyncratic, hyper-saturated, […]

“GAIETY IS THE MOST OUTSTANDING FEATURE OF THE SOVIET UNION: ‘Art from Russia’ at the Saatchi Gallery (2013)

   Sergei Vasiliev Russian Criminal Tattoo Encyclopedia Print No.12 2010 Giclée print 165 x 112 cm ©Sergei Vasiliev, 2010 Image courtesy of the Saatchi Gallery, London By Laetitia Martinez & David Price, ASX UK, March 2013 Walking through affluent Sloane Square into the stately building that houses the Saatchi Gallery, directly into the opening salvo of […]

Hans-Peter Feldmann (2006)

All the Clothes of a Woman, 1970’s By Roy Arden, This curator’s text was originally published for the exhibition ‘Hans-Peter Feldmann’ at the Contemporary Art Gallery, Vancouver, June 9 – August 20, 2006. Hans-Peter Feldmann’s oeuvre includes works in many media, from painting to sculpture, installation, photography, collage, bookworks, archives or collections of images, objects, […]

Paul Schiek – ‘Dead Men Don’t Look Like Me’ (2012)

Paul Schiek is no stranger to the practice of appropriation; he studied under Larry Sultan – who collaborated with Mike Mandel to produce Evidence, a collection of found and recontextualized images.   By Allie Haeusslein, Gallery Manager at Pier 24 Photography “[A] photograph is only a fragment, and with the passage of time its moorings come […]

A Conversation with Richard Prince (1992)

“One of the reasons I could give myself permission was that no one was looking. I didn’t even have the idea of an audience…”   A Conversation with Richard Prince This interview is excerpted from a public conversation with Richard Prince, recorded at the Whitney Museum of American Art, May 13, 1992. BW: I want […]

Ed Ruscha: “One-Way Street” (2005)

 Edward Ruscha arrived in Los Angeles in 1956, delivered by the car trip he and high school friend Mason Williams took in Ruscha’s black 1950 Ford from Oklahoma to the suburban-like stretch of a rapidly developing L.A.   Ed Ruscha’s One-Way Street By Jaleh Mansoor, OCTOBER, Winter 2005, pp. 127–42. Edward Ruscha arrived in Los […]