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Let’s take the thing on its own terms: a book about trendy photographic art, swaddled in equivocal definitions of magic.
“Work by established artists can help position and elevate the work of a recent graduate, whilst the graduate’s work re-contextualizes and refreshes the established work”. Flowers Gallery Chris Littlewood Interview @ Unseen Photography has played an integral part of the program at Flowers Gallery since its inception in 1970. One of the first to open […]
The vast majority of this material exists in a format without physicality. These ‘documents’ that the artist collects are in effect, de-materialised. They exist in a capacity of their non-physicality. It is an archival practice of collecting where the previous mode of acquisition is lost for that of an imagined meta-collection – a collection that, […]
With Silvermine, is your determination to collect this material purely driven by geography? Or do you have a China fetish? Thomas Sauvin occupies a strange place in photography. His output is sincere, his knowledge of classic hiphop is un-fuckwittable, and his publications are highly coveted gems in the photographic book fetish world. That, […]
I was, part of a youth culture, a movement. And I greatly embraced this liberating music and club life, which was in such stark contrast to the posy-dressy 80s.
Cariou sued Prince and Gagosian, alleging that Prince’s Canal Zone works and exhibition catalog infringed on Cariou’s copyrights in the incorporated ‘Yes Rasta’ photographs.
Today, Richard Prince, still glowing in triumph after his own copyright battle with Patrick Cariou, is simply screen-capturing his own participation on Instagram—brazenly selling inkjet enlargements of other people’s image uploads for $90,000 a pop. What’s more, Prince is adored for it. How to Sue Richard Prince and Win By Nate Harrison, July 10, 2015 My […]
History has been kind to Martin Kippenberger. Following his untimely death in 1997 at the age of 44, the art world scrambled to retrofit Kippenberger into the Postmodernist canon.
Stacy Kranitz ’s long-form photographic project As it was give(n) to me is a work that interrogates notions of documentary truth.
@ Mike Kelley “Like I said I was kind of coming out of hippie culture, or freak culture.” Mike Kelley Interviewed by Lynn Hershman Santa Monica, California, July 27, 2006 Lynn Hershman: So, this is the Howard Fox statement, this is what he said when we interviewed him, he said that you said publicly […]